In the 20th century, no artistic medium in North America with so much potential for creative expression has had a more turbulent history plagued with less respect than comic books. Through animated montages, readings and interviews, this film guides us through the history of the medium from the late 1930s and 1940s with the first explosion of popularity with the superheroes created by great talents like Jack Kirby and hitting its first artistic zenith with Will Eisner's "Spirit". It then shifts to the post war comics world with the rising popularity of crime and horror comics, especially those published by EC Comics under the editorshiop of William B. Gaines until it came crashing down the rise of censorship with the imposition of the Comics Code. In its wake of the devastation of the medium's creative freedom, we also explore EC's defiant survival with the creation of the singular "Mad Magazine" by Harvey Kurtzman. We then move to the resurgence of the superheroes in the late 1950's ...

A documentary film about the impact of the newspaper comic strip Calvin & Hobbes, created by Bill Watterson.

Gordon, 28, an aspiring animator, leaves his home in Oregon to sell his ideas to Hollywood. After being told, correctly, that they are quite possibly the most stupid ideas ever and that he needs to spend time rethinking them, he moves back home. But his father, never a kind man, escalates his mean treatment of his rather unconventional son. Meanwhile, Gord has fallen for Betty, an attractive doctor at the hospital where his friend is staying; she happens to use a wheelchair, and to delight in having her paralyzed legs beaten with a bamboo cane; her sexual aggression intimidates him. Gord's family goes to a psychiatrist, and he lies to her that his father molests Gord's brother, Freddy; Gord neglects to mention that Freddy is 25. Soon, Gordon has the house to himself, and comes up with a winning animated series, "Zebras in America" based on his own family. All this is really a framework on which hangs his usual crazy stunts.

A highly sexed high-school student with insufficient grades thinks the gods are smiling on him when he meets a sexy maths tutor who is also his maths teacher's wife.

Ten years after the adventures of Stanley Ipkiss in Edge City, the legendary Mask of Loki finds its way into the hands of an aspiring cartoonist, Tim Avery whose new baby son named Alvery is born with the Mask's spectacular powers. But the really big trouble begins when Loki himself the god of mischief, comes looking for his mask, under command by his father Odin. And he's willing to do whatever it takes to get it back.

An animated feature which begins, ends and occasionally combines with, live-action filmed on location. A white dropout struggles to create comics and animated films, drawing inspiration from the harsh, gritty world around him. Still sharing his run-down apartment with his middle-aged parents, an oafish slob of an Italian father and a ditzy nut-case of a Jewish mother, he is ridiculed and looked down upon by his friends, hypocrites who run with violent gangs and the Italian Mafia, and a shallow Black girl who makes her living downtown with the pimps and pushers. This cartoonist gets a chance to pitch a film idea to a movie mogul, but the story proves too outrageous: a far-future Earth, destroyed by war and pollution, where a mutant antihero challenges and kills God. Complications ensue when the cartoonist's parents react in irrational ways to his various involvements.