A beloved Pastor works to serve his 'flock' and save his 100 year old church. In his dedication and desire to do so, he crosses boundaries that are not to be crossed.

Madea's neighborhood takes a turn for the worse when a foster mother moves in with her unruly kids. Suspicious activity leads Madea to take justice into her own hands. With Aunt Bam by her side, Madea uses her unique wit and wisdom for unforgettable results.

Separated from her incarcerated husband Bill (Hinds), Trish (Janney) is about to be married again. Bill is a pedophile, so Trish couldn't be more excited to have Harvey (Lerner), a "normal" father figure for her two sons. But when Bill is released from prison and the boys finally meet their future stepdad, the family is forced to decide whether to forgive or to forget. Trish's sister, the virginal, angelic Joy (Henderson), is also haunted by ghosts of lovers past. On leave from her degenerate husband, Allen (Williams), and her job at a New Jersey correctional facility, Joy unwittingly leaves behind a trail of shame and exposed secrets wherever she goes. In one of the film's most stylized sequences, the image of Joy walking the dark streets of Miami in her nightgown maintains her innocence against a backdrop of self-affliction and desire.