Never Let Go (2015)
A single mother desperately searches for her missing child in a beautiful, but unfamiliar land, following an apparent abduction. Trusting no one, and stopping at nothing, as she weaves her way through the murky backstreet's and barren landscapes, now implicated in the murder of a seemingly innocent man, her connections back in the US begin to reveal that there is much more at stake than first meets the eye..
The Boys Are Back is a confessional tale of fatherhood. It follows a witty, wisecracking, action-oriented sportswriter who, in the wake of his wife's death, finds himself in a sudden, stultifying state of single parenthood. Joe Warr throws himself into the only child-rearing philosophy he thinks has a shot at bringing joy back into their lives: "just says yes." Raising two boys - a curious six year-old and a rebel teen from a previous marriage -- in a household devoid of feminine influence, and with a lack of rules, life becomes exuberant, instinctual, reckless... and on the constant verge of disaster. The three multi-generational boys of the Warr household, father and sons alike, must each find their own way, however tenuous, to grow up.
Auro (Amitabh Bachchan) is an intelligent and witty 13-year-old boy with an extremely rare genetic defect that causes accelerated aging. He suffers from a progeria-like syndrome. Mentally he is 13, very normal, but physically he looks five times older. In spite of his condition, Auro is a very happy boy. He lives with his mother Vidya (Vidya Balan) who is a gynecologist. Amol Arte (Abhishek Bachchan) is young, progressive and a full-of-ideals politician. He is out to prove to the world that 'politics' is not a bad word. He is a man with a mission. Auro is Amol's son.
Guess Who's Coming to Dinner (1967)
Joey Drayton brings her fiancé, Dr. John Prentice, home to sunny San Francisco to meet her affluent parents. Their liberal persuasions are now put to the test, for although the young man is an ideal choice (he's highly and internationally respected in the medical field, and he's impeccably mannered, handsome, well dressed and of a respectable California family), he's black. The film, which covers one busy day in the Drayton home, is essentially a drawing-room comedy, a series of cross-conversations between the young doctor and the girl's parents, and finally between all sets of parents and offspring. A simple dinner is extended to include the doctor's parents, who fly up from Los Angeles for the evening, and the crusty but benevolent old Irish priest, a friend of the family. Thus, the title of the film . . .
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