Lara (Eleanor Tomlinson) and her estranged father, Dr. Hill (Stephen Rea), travel behind the iron curtain to a decrepit castle outside the Hungarian town of Styria. In the nearby woods, Lara witnesses a violent car crash. Carmilla, (Julia Pietrucha), the lone survivor, crawls from the wreckage. When Lara hides this beautiful and mysterious stranger in the castle, the two start an intense and chaotic friendship. As their relationship deepens, crops whither, farm animals die, and the young women of Styria begin to go mad. When local girls are found dead from apparent suicides, Lara wonders if Carmilla is to blame or is there a darker secret behind the mass hysteria destroying the town.

In 1983, a group of high school kids break into an abandoned amusement park only to realize it's overrun with monsters.

A retired woman hires a dance instructor to give her private dance lessons at her home -- one per week for six weeks. What begins as an antagonistic relationship turns into a close friendship as they dance together.

This movie is set in the mid 1800s and involves poet Edgar Allan Poe. A serial killer is on the loose and murdering people using Poe's descriptions from his published stories and poems. Poe teams up with Detective Fields, a Baltimore policeman to try and catch the killer by using his knowledge of the descriptions. Even though the stories are fictional, they start to become reality and the killer is a step ahead of them. Then it takes on a personal note as Poe's lover becomes a target. Will they stop the killer in time?

A woman's consuming love forces her to bear the clone of her dead beloved. From his infancy to manhood, she faces the unavoidable complexities of her controversial decision.

In order to regain custody of her daughter, whom she left in the care of her fortune-telling aunt, Mona must tell a social worker her story. The tale she spins---and the movie we watch---is a wild, surreal adventure in which people are able to project and enter each other's dreams, and our heroine is sold into slavery and lands in a swank, debauched Liverpool brothel where the patrons enact their literary/sexual fantasies with Lolita, St. Joan, and Desdemona. Rendered with dazzling tracking shots, striking CGI effects and a pulsing soundtrack, Hungarian director Szabolcs Hajdu's risk-taking fantasia has style to spare. But under the seductive surface lurks the very human story of a woman who uses fantasy to cushion the pain of life.

A concert to celebrate Bulgaria joining the EU is being planned at the Embassy in London and it is the job of VARADIN, the new ambassador, to ensure the Queen attends. But with corrupt staff, criminal gangs operating out of the kitchen, falling in love with a stripper and a little misunderstanding with a PR firm that provides look-alike royalties - his simple task turns into a chaotic nightmare.

Ghost trains and ghostly characters, figuratively speaking of course, are what run through the perpetual night of this underground metro system. Bulcsú's (Sándor Csányi) life that once was, on the surface, where the real people go home after work, who go to the movies or a fine restaurant is now replaced by the dark, cold and solitude arena of his new dwellings. He, and his motley crew of ragtag metro ticket Kontrollers must patrol the trains that run these City dwellers back and forth and with daily ritual, check that no one dare come down into their world for a free ride. With indifferent passengers, a possible love interest, a regime set on competition and to top it all a mysterious serial killer at large, Kontroll is a dark and bleak comedy of the world of the ticket inspector, who, in the end must keep this Metro system running. If not, what would be the worst that could happen, if they ever lost control? Dare you ride here for free, too?

Gyorgy Palfi's grotesque tale of three generations of men, including an obese speed eater, an embalmer of gigantic cats, and a man who shoots fire out of his penis.

Egon and Dönci are two lonely inhabitants on a distant solar-system's tiny planetary. Egon is an amateur "space-exploratory" trying to seem very moderate, but his deeds are dogged by constant ill fortune cased mostly by his fumbler cat, Dönci. The film puts on the two figures' comic conflicts, vicissitudes, as they get into all kinds of staggering adventures while exploring the sensible existence far away from earth. They live through every situation in a peculiar way. Egon and Dönci never talk. They communicate with each other and with the viewer in the most simple way - with childlike mimicry, one syllable sounds, gestures - therefore they are not bantered to any determined language. In this way they are understood by the youngest age-group as well as the elder on any part of the Earth. Last, but not least the film's aim is to familiarize the viewer with the planets of our solar-system...