Filip buys an 8mm movie camera when his first child is born. Because it's the first camera in town, he's named official photographer by the local Party boss. His horizons widen when he is sent to regional film festivals with his first works but his focus on movie making also leads to domestic strife and philosophical dilemmas.

At the turn of the century, Lodz, Poland was a quick-paced manufacturing center for textiles, replete with cutthroat industrialists and unsafe working conditions. Three young friends, a Pole, a Jew and a German, pool their money together to build a factory. The movie follows their ruthless pursuit of fortune.

Set in the 17th century. A convent in a small town is being visited by high-ranking Catholic official trying to exorcise the nun supposedly posessed by demons. A local priest have been burnt for creating this condition by sexual temptation of the nuns, especially the Mother superior who bring on the collective hysteria of the group. There is another young priest who is to help with the exorcism. His first meeting with the convent head, Mother Joanne of the Angels, has her seemingly posessed by Satan - she yells blasphemies and incites the priest. She begs the priest to save her and to help her to be a saint. To help her, he kills two innocent people to be forever a prey of the devil and thus allow her freedom.

Pawel, a Polish man in his early 30s, makes a living with his father Zygmunt importing second-hand clothing from the North of France to Southern Poland. On his way back from one of regular "business trips", Pawel is shocked to discover his father's picture on the cover of a Polish tabloid newspaper. The headline "traitor" is written next to his name. Zygmunt is a genuine hero of the struggle against totalitarianism and a recognized member of the "Solidarnosc" labor movement of the 80s. But now, Zygmunt is suddenly accused by the paper of having acted as a secret informer called THE MOLE by the communist regime.

Angie gets the sack from a recruitment agency for bad behaviour in public. Seizing the chance, she teams up with her flatmate, Rose, to run a similar business from their kitchen. With immigrants desperate to work the opportunities are considerable, particularly for two girls so in tune with these times.

Tomek is 14 and a good student. He's interested in astronomy and plays football to please his father. The only thing is, he lives in a poor little border town plagued by unemployment, whereas across the river lies Germany with all its relative affluence. Tomek meets Marta at a disco and falls in love with her. He starts to think up ways of earning money in order to keep her interested. He approaches a pimp who seeks out local boys for his German clients. Tomek has no idea of the brutal fate which awaits him.

Luke, a GP is about to get married to vivacious Katherine. On the surface everything is perfect, but as the wedding preparations intensify Luke is plagued by nightmares that throw him into chaos. Unable to sleep he visits a hypnotherapist. They travel down deep into Luke's subconscious mind and a mysterious world of forests, witches and fire is revealed. He attempts to reach out to Katherine but she is lost in the fever of the preparations and is blind to his disquiet. In the midst of this chaos, Amelia enters his life, she seem so familiar and something deep in him unravels.

Successful doctor Artur Planck, his wife Clara and their two daughters are seeking shelter from the Nazis storming Poland. They find a safe house in the farm of Emilia, their local grocer who is all alone after her husband fought for his country and never returned. Amidst the horrors of the war that surrounds them, an impossible love triangle erupts as Emelia uncontrollably falls in love with Artur. Such a fragile arrangement is sustained by love - or is it just the will to survive? The answer to that question may not even be made known to those who make it out alive.

Set in the early 1950's, during the Stalin's Personality Cult. The story opens in a provincial town. Tomek's father, a former member of the Home Army is arrested so the mother is left with the task of raising two kids alone. The neighbor upstairs commits suicide when her husband is also arrested and transported to the prison camp. It's winter so the kids keep their hands warm at school by hand-beating themselves. The teachers at school are mean, narrow minded idealists, When they ask the kids who goes to church on Sundays, the whole class stands up to defeat the purpose of the propaganda lesson. Tomek is sent to the training school in the summer. There he absorbs most of the ideology pumped into his head, and when his father is released from prison he finds another boy he has left.

Oliver (Pawel Szajda) is a talented young pianist of Polish American heritage. After breaking off his European tournée...    »

Kitka was just a little girl when she lost her mother. Now, in her late teens, she makes her first life choices. Her grandfather, her father and even her late mother are determined to help the adolescent girl. However, suffering from the family trauma and in constant conflict with each other, they themselves seem to need help. They do not make it any easier for Kitka so the girl decides to take matters into her own hands. She embarks on a series of funny adventures, meets a number of strange characters and experiences first romantic entanglements. Eventually, everything ends wonderfully well, and the literal sense of the word wonder is not to be forgotten in this context.

As an aging woman married to a workaholic doctor by chance meets a young man who makes her feel young again. All of this is films by a director making a film about her which cuts in and out of the on camera and off camera drama.

An arrogant medical man discovers there's more to his new patient than he imagined in this drama from Polish filmmaker Feliks Falk. Dr. Konstanty Grot (Borys Szyc) is an ambitious young doctor who is determined to make a name for himself, to the point that his wife often accuses him of being more interested in his career than in her. Grot believes that he can earn the respect of his peers by successfully treating a supposedly incurable patient, and he believes he may have found a likely candidate in Pawel Plocki (Grzegorz Wolf), a mental patient who can barely function. Grot signs Plocki out of the mental hospital where he's been treated for years and moves him into his own home; in time, Plocki shows genuine improvement, and Grot thinks he?s beaten the state medical establishment at their own game. But that?s before Grot learns some secrets about his patient that cast his condition in a new and disturbing light.