Akane begins seeing visions of a female ghost wearing the same yellow hat and red satchel she wore as a school child.

The translation of the Thai title means literally '5 Heart Heroes'. Four children sneak into a terrorist controlled hospital to steal a heart to transplant for the 5th child who is dying in a different hospital.

Based in Cape Town, specializing in divorces, Jeet Oberoi warns his friends, Karan Malhotra and Bhavesh Patel, about the many disadvantages of being involved in a married relationship. He indicates that marriages result in divorce, if it is a love marriage than the groom digs his grave; and if is an arranged marriage, it is the groom's family that dig his grave. Scoffing at this, Karan gets married with his sweetheart, Sanjana Jugran, much to the chagrin of her dad; while conservative Bhavesh travels to Vishwamitri, Gujarat, along with his entire family, and gets married to a liberal Prachi Jadeja. Incompatibility issues will soon surface, compelling the duo to retain Jeet as legal counsel to expedite their respective divorce proceedings.

When Daggi is 15 years old, he gets the opportunity to change his life. A fresh start, another chance. But is it possible to start over? Daggi puts the little he owns in a bag and carries his past in a key, around the neck&. He tries to adjust his new life in a small village - as a foster child in a family who's filled with love and care, and Gustav, who's always wished for a big brother. Together they play Yatzy - Gustav's favorite game. Cause in Yatzy everyone has a chance. The village is tiny and boring. Daggi is restless and paranoid - trying to keep a distance to everything. Then he meets Gloria. Gloria who drives a scooter and sees Daggi as an opportunity to get away. Together they discover the beauty of love, - they escape to Sweden and life seems for the first time easy and good. Until his past hunts him down, lead by Dennis, and drags him back to a life he neither can be a part of - nor get away from.

An aspiring actor whose career is in the dumps, exploits his amazing bowling skills to take the PBA by storm and becomes rich and famous, only to lose his best girl and best friend...

When a young woman named Meryem (Özgü Namal) is raped, her village custom requires that she be killed in order for the dishonour to be expunged from her family...    »

14 - year - old Sikandar Raza has been living with his uncle and aunt in Kashmir, ever since his parents were killed by militants 10 years ago. The young boy, who dreams of a better life for his family by realizing his football talent, is a bit of a loner at school and an easy target for the school bullies. One day on his way home from a school football match, Sikandar finds a gun lying on the path. Despite being warned against it by his new friend Nasreen, Sikandar picks up the gun believing it to be the answer to his problems. When playing with the gun alone in the woods, Sikandar meets a young man who teaches him how to be a great shot, but the young man is not who he seems and Sikandar innocently becomes caught up in political warfare. Although the quiet Nasreen acts as Sikandar's conscience, Sikandar gets further embroiled in situations beyond his control, and innocent people get killed...

Lala, a teenager from the most exclusive suburban neighborhood in Argentina is in love with the Guayi, the 20-year-old Payaguayan maid working at her place. They dream of living together in Paraguay, at the shores of lake Ypoá. Robbing every purse and wallet in the house to fulfill their dream, hiding the money in a shoe box. But when the box is full, it bursts, fueled by desire, jealousy and rage. This is the starting point that spurs the escape through the highway that connects the North of Buenos Aires with Paraguay. While Lala waits to be reunited with her lover in Ypoá by reconstructing her past (the mystery surrounding her pregnancy and the legend of a fish child who guides the drowned to the bottom of the lake), the Guayi is detained in a minors institute in the outskirts of Buenos Aires. She turns out to be hiding a crime from long ago.