Paris, je t'aime is about the plurality of cinema in one mythic location: Paris, the City of Love. Twenty filmmakers have five minutes each; the audience must weaving a single narrative out of twenty moments. The 20 moments are fused by transitional interstitial sequences and also via the introduction and epilogue. Each transition begins with the last shot of the previous film and ends with the first shot of the following film, extending the enchantment and the emotion of the previous segment, preparing the audience for a surprise, and providing a cohesive atmosphere. There's a reappearing mysterious character who is a witness to the Parisian life. A common theme of Paris and love fuses all.

Mischa and Hannibal, baby brother and sister, are inseparable; it is their love for each other that ties their bond. Their companionship is forever binding, until, with their family, while hiding from the Nazi war machine a twisted set of circumstance sets the pace for a most vicious attack on the future of one Hannibal Lecter for the sworn vengeance for the brutal killing of his baby sister. Years later, we find Hannibal, the teenager, setting up in Paris, and living with his aunt Lady Murasaki Shikibu and studying at medical school here he finds his forte. Still searching for his sister's murderers, still bitter and still ever hopeful of satisfying his desire for retribution. This chance arrives, and soon we are to learn that for a pound of flesh lost a pound of flesh must be repaid. This is the horrific tale of justice and honor, a young man's growing pains that will have the guilty paying with more than just flesh and bone...