An intimate look at life on the road for the band Wolf Alice as they tour Great Britain.

Set against the backdrop of the 2011 UK summer riots, 'Urban Hymn' follows a young female offender who possesses a remarkable voice and a determined social worker who inspires her to use it.

An aspiring poet in 1950s New York has his ordered world shaken when he embarks on a week-long retreat to save his hell raising hero, Dylan Thomas.

Set in the lower echelons of 1860s Paris, Therese Raquin, a sexually repressed beautiful young woman, is trapped into a loveless marriage to her sickly cousin, Camille, by her domineering aunt, Madame Raquin. Therese spends her days confined behind the counter of a small shop and her evenings watching Madame play dominoes with an eclectic group. After she meets her husband's alluring friend, Laurent, she embarks on an illicit affair that leads to tragic consequences.

Two actors, as their make up is applied, talk about the size of their parts. Then into the film: Laurence Sterne's unfilmable novel, Tristram Shandy, a fictive autobiography wherein the narrator, interrupted constantly, takes the entire story to be born. The film tracks between "Shandy" and behind the scenes. Size matters: parts, egos, shoes, noses. The lead's girlfriend, with their infant son, is up from London for the night, wanting sex; interruptions are constant. Scenes are shot, re-shot, and discarded. The purpose of the project is elusive. Fathers and sons; men and women; cocks and bulls. Life is amorphous, too full and too rich to be captured in one narrative.

1920s Vienna. Nine-year-old Mary lives in a home filled with lovely things and loneliness. Bothered by bratty brother Max and neglected by well intentioned, but distracted, parents, she yearns for companionship and adventure. On Christmas Eve, Mary's beloved Uncle Albert arrives with the gift of a wooden nutcracker doll. Later that night, Mary's imagination brings the doll to life. Introducing himself as "NC," he takes her on a wondrous journey through a stunning dimension where toys assume human form and everything appears ten times larger. But danger lurks. An army of toothy rat creatures, led by the flamboyant Rat King and his devious mother, has unleashed a plot to overthrow humanity. When NC is captured and placed under a paralytic spell, Mary, Max and a spirited band of toy sidekicks must rescue him from the Rat King's clutches and thwart his wicked plans to 'ratify' the world.

Separated from her incarcerated husband Bill (Hinds), Trish (Janney) is about to be married again. Bill is a pedophile, so Trish couldn't be more excited to have Harvey (Lerner), a "normal" father figure for her two sons. But when Bill is released from prison and the boys finally meet their future stepdad, the family is forced to decide whether to forgive or to forget. Trish's sister, the virginal, angelic Joy (Henderson), is also haunted by ghosts of lovers past. On leave from her degenerate husband, Allen (Williams), and her job at a New Jersey correctional facility, Joy unwittingly leaves behind a trail of shame and exposed secrets wherever she goes. In one of the film's most stylized sequences, the image of Joy walking the dark streets of Miami in her nightgown maintains her innocence against a backdrop of self-affliction and desire.

"All eyes will be on you," says the Austrian duchess, Maria Theresa to her youngest daughter Marie Antoinette. The film, marketed for a teen audience, is an impressionistic retelling of Marie Antoinette's life as a young queen in the opulent and eccentric court at Versailles. The film focuses on Marie Antoinette, as she matures from a teenage bride to a young woman and eventual queen of France.