Kathy is the alcoholic and smoking addicted mother of the young, but mature teenager Lizzy. They live together since Kathy's husband Roy left her, and she neglects her daughter. Kathy is supposed to drive Lizzy to her father's home in the morning, but she sleeps until late afternoon and they have to travel during a rainy night. While driving through a lonely road through the woods, Kathy hits a wolf that breaks her car, leaving them stranded on the empty road. They call 911 and while waiting for the tow truck and an ambulance, the wolf disappears from the road. When the tow truck arrives, the mechanic Jesse tells that he needs to fix the axle and an oil leakage to tow her car. While repairing the vehicle, a monster attacks him but neither Kathy nor Lizzy note. When they seek Jesse out, they realize that they are not alone in the spot. Further, Kathy learns that monsters do exist. Will they be rescued on time?

The rivalry between two brothers reaches a fever pitch during a charity swim competition.

When an eccentric and insecure young woman is mistaken for her dead identical twin, she seizes the chance to leave her pathetic existence behind and assume her sister's life. Through this absurd masquerade as "the pretty one" she finally learns to value her own identity

Based on his play by the same name, Neil LaBute's script follows a successful writer who, on the eve of his wedding, travels across the country to meet up with ex-lovers in an attempt to make amends for past relationship transgressions. Crisscrossing from Seattle to Boston, he reunites with high school sweetheart Sam, sexually free-spirited Tyler, married college professor Lindsay, his best friend's little sister Reggie, and "the one that got away" Bobbi. A modern-day Candide stumbling through a landscape familiar to most men-messy breakups.

In November 1937, high school student and aspiring thespian Richard Samuels takes a day trip into New York City. There, he meets and begins a casual friendship with Gretta Adler, their friendship based on a shared love and goal of a profession in the creative arts. But also on this trip, Richard stumbles across the Mercury Theatre and meets , who, based on an impromptu audition, offers Richard an acting job as Lucius in his modern retelling of Julius Caesar, which includes such stalwart Mercury Theatre players as and . Despite others with official roles as producer , this production belongs to Welles, the unofficial/official dictator. In other words, whatever Welles wants, the cast and crew better deliver. These requests include everything, even those of a sexual nature. Welles does not believe in conventions and will do whatever he wants...

Pippa Lee feels dislocated when she and her husband Herb move from Manhattan to a retirement community. He's older than she, they have two children who are young adults, and the daughter hardly speaks to Pippa. Pippa tells us about her life, in long flashbacks, starting with her birth to a mom who was a social dynamo and addicted to pills. As a teen, Pippa moves out and lives a hippie life until meeting Herb, who was then married to a young siren. Pippa discloses tragedies and discoveries. In the present, she's sleepwalking at night and talking from time to time with a burned-out case, the 35-year-old son of a neighbor. Can Pippa connect?

In Manhattan, Genevieve Gernier owns a flower shop and has a personal dating rule: a limit of five dates with a man to avoid a relationship. When Greg Gatlin buys a restaurant nearby her shop, they decide to date. However, after five dates, Genevieve is not happy with her rule and does not know how to meet Greg again.

Tom and Josh Sterling have a start-up dot-com. It's gone public to initial success. Josh is the technical genius. Tom is the fast-talking and abrasive CEO, in charge of the business side. It's August, 2001, less than a month before they can sell their shares and, perhaps, make lots of money. But the company is running out of cash, its main client is stalling, and share values are falling. For Tom to maintain the firm's appearance, he must find cash: investors could rescue him, but at a high cost of his potential wealth and company control. Tom goes to his brother for a loan. At the same time, an old flame, Sarrah, comes back to the city. Can Tom hold things together, bravura and all?