Children aged four dance a 'Cakewalk'.

A man and a woman talk beside a street near a corner where a cop stands. Just as a horse-drawn cart rounds the corner, the man backs off the sidewalk saying good-by to his companion. The horse and cart flatten him and continue on, out of the camera's stationary range. The cop runs after the cab, the woman dashes to the body. The cop brings back the driver; is the victim dead?

A stationary camera looks on as two dapper gents play a game of chess. One drinks and smokes, and when he looks away, his opponent moves two pieces. A fight ensues, first with the squirting of a seltzer bottle, then with fisticuffs. The combatants wrestle each other to the floor and continue the fight out of the camera's view, hidden by the table. The waiter arrives to haul both of them out.

Among the earliest existing films in American cinema - notable as the first film that presented a narrative story to tell - it depicts a group of cowboy outlaws who hold up a train and rob the passengers. They are then pursued by a Sheriff's posse. Several scenes have color included - all hand tinted.

Alice dozes in a garden, awakened by a dithering white rabbit in waistcoat with pocket watch. She follows him down a hole and finds herself in a hall of many doors. A key opens a small door: eventually, she's through into a garden where a dog awaits. Later, in the rabbit's home, her size is again a problem. She tries to help a nanny with a howling baby, then a Cheshire cat directs her to a tea party where the Mad Hatter and March Hare dunk a dormouse. Expelled from the party, Alice happens on a royal processional: all the cards in the deck precede the Queen of Hearts, who welcomes then turns on Alice and calls on the royal executioner. Alice must run for her life.