Change and a city in China. In Chengdu, factory 420 is being pulled down to make way for multi-story buildings with luxury flats. Scenes of factory operations, of the workforce, and of buildings stripped bare and then razed, are inter-cut with workers who were born in the 1930s, 1940s, and 1950s telling their stories - about the factory, which manufactured military aircraft, and about their work and their lives. A middle-aged man visits his mentor, now elderly; a woman talks of being a 19-year-old beauty there and ending up alone. The film concludes with two young people talking, each the child of workers, each relaying a story of one visit to a factory. Times change.

The disillusioned general of an ancient Chinese army regiment finds himself stranded in a village populated by a strange clan with mystical connections to wolves.

Three years after the events in "Battle Royale," Shuya Nanahara (Tatsuya Fujiwara)is a well-known terrorist bent on bringing down the government. In response, they order the creation of the "Battle Royale 2" program, and send a class of junior-high students to catch and kill him.

A group of demons in the ancient Japanese capital of Heian is dismembering members of a family of Japanese nobles.

Minami, a member of the Azamawari crew, highly respects his Aniki (brother) Ozaki who has saved his life in the past. However, lately Ozaki's eccentricities (like claiming that a Chihuahua hs sees is a 'Yakuza attack dog') have been making everyone wonder about his sanity. Chairman Azamawari is unsympathetic to Ozaki's little outbursts and secretly orders Minami to take Ozaki to a disposal facility in the city of Nagoya. There, the fate of these two follows a twisted path filled with violence, mother's milk, strange locals, and ultimately the disappearance of Ozaki's corpse which Minami now desperately tries to recover.

A ruthless pack of thugs force mild-mannered, caught-in-the-middle-of-something-bigger Nami to murder her fiance's sister, decidedly ruining her pending marriage and landing the poor girl in the most brutal women's prison ever seen. Inside the hellblocks, she decides to stop being a victim at all costs, and ends up becoming stronger and even more vicious than the craziest inmates in the pen. She eventually escapes in a most unusual way, gets valuable fight training from a mysterious mountain man and returns to the streets in order to make the thugs who ruined her life pay. By this time, Nami prefers to go by the name of Sasori (translation: Scorpion).

In a world with an alternate history, a great war finally comes to an end leaving the earth diseased and polluted. The geneticist Dr. Azuma vies for support from the government for his neo-cell treatment that he claims can rejuvenate the body and regenerate humankind. The government leaders, guarding their own deeply entrenched powers, turn down the professor. Driven to complete his work, Dr. Azuma accepts a secret offer from a sinister faction of the powerful military. After an incident occurs in Dr. Azuma's lab, a race of mutant humans known as the Shinzo Ningen are unleashed upon the world. Now only the warrior known as Casshern, reincarnated with an invincible body, stands between the Shinzo Ningen and a world on the brink of annihilation.

After a tragic car accident where his girlfriend Ryôko Ooyama (Nami Tsukamoto) died, Hiroshi Takagi (Tadanobu Asano) suffers amnesia with his memories completely blanked. When he sees a book about dissection, he decides to join the medical school with the support of his parents. In the dissection class, his group participates of the autopsy of a young woman, and while cutting apart the tissue, he partially recalls his accident. Later, when he sees a tattoo in the arm of the corpse, he discloses that she was his girlfriend and becomes obsessed to go further in the examination of the body.

The prequel to the horror film Ringu, this movie provides the background story of how Sadako later became the vengeful murdering spirit. The story starts with her as a shy, somewhat withdrawn, college student who nonetheless gets involved in a drama club. The director thinks she has talent, but some of the other performers start to get jealous of the attention he gives her. Meanwhile, a reporter investigating Sadako's spiritualist mother thinks there's something very suspicious about the young woman, and arrives on campus to confront Sadako just as a series of strange deaths start sweeping through the drama club.

When a childless couple learn that they cannot have children, it causes great distress. To ease his wife's pain, the man finds a stump in the backyard and chops it and varnishes it into the shape of a child. However the woman takes the root as her baby and starts to pretend that it is real. When the root takes life they seem to have gained a child; but its appetite is much greater than that of a normal child.

A man continually trying and failing to get his wife to stay dead; a self-absorbed ad agency creative director who comes up with one unworkable inane idea after another; a British hitman who only wants to know everyone's function in life; and an unfortunate office worker and father whose brain is left scrambled after a stage hypnotist is murdered in mid-performance. Starting off as unrelated plot lines, they intertwine with each other as they continue on their respective ways.

In a general hospital near bankruptcy, the reduced staff is working under a severe stress. During the emergency attendance to a burned patient with Dr. Uozumi (Masanobu Takashima) and two other nurses, Dr. Akiba (Kôichi Satô) and the nurse commit an error, injecting sodium chlorate and killing him. Dr. Uozumi convinces the team to forge the report to save their careers. Meanwhile, an ambulance leaves a patient in the emergency with a lethal infection. When the muscles and internal organs of the patient liquefy, Dr. Kiyoshi Akai (Shirô Sano) convinces his two colleagues to examine and research the virus, leading the employees of the night shift to a tragic end.

In Tokyo, the freelancer cameraman Takuyoshi Masuoka is obsessed investigating the fear sensation near death. When he shots with his camera a man stabbing himself in the eye in the access to the subway, he seeks what the suicidal might have seen to experiment the same sense of horror the man felt when he died. He finds a passage to the underground of Tokyo where he meets a mysterious naked woman that does not speak and he calls her F. He brings F to his place and he has difficulties to feed her, until he discovers that she drinks blood. Masuika becomes a serial killer draining the blood of his victims to nurse F.

Forty-two students, three days, one deserted Island: welcome to Battle Royale. A group of ninth-grade students from a Japanese high school have been forced by legislation to compete in a Battle Royale. The students are each given a bag with a randomly selected weapon and a few rations of food and water and sent off to kill each other in a no-holds-barred (with a few minor rules) game to the death, which means that the students have three days to kill each other until one survives--or they all die. The movie focus on a few of the students and how they cope. Some decide to play the game like the psychotic Kiriyama or the sexual Mistuko, while others like the heroes of the movie--Shuya, Noriko, and Kawada--are trying to find a way to get off the Island without violence. However, as the numbers dwell down lower and lower on an hourly basis, is there any way for Shuya and classmates to survive?