The story of American track sprinter Wilma Rudolph, who overcame physical handicaps to win three gold medals in the 1960 Olympics.

This documentary was made three years after Jimi Hendrix's untimely death. At the time it was an example of how a visual biography should be done, but some of the information in it needs revising in the light of new information uncovered over the years. The film contains concert footage spanning the Marquee in 1967 to his last UK performance at the third Isle of Wight festival in 1970; along the way we see classic performances at Monterey (1967), Woodstock (1969), Fillmore East (1969/70), and Berkeley (1970). A double album was released to tie-in with the film, containing the complete performances in the film, along with interviews with people in the film (not necessarily the same interviews). The film is worth seeing for Jimi's performances, and to hear what his contemporaries have to say about him (Eric Clapton, Mitch Mitchell, Lou Reed, Mick Jagger, Pete Townsend, and others).

After a shoot-out kills five FBI agents in Kansas City the Bureau target John Dillinger as one of the men to hunt down. Waiting for him to break Federal law they sort out several other mobsters, while Dillinger's bank robbing exploits make him something of a folk hero. Escaping from jail he finds Pretty Boy Floyd and Baby Face Nelson have joined the gang and pretty soon he is Public Enemy Number One. Now the G-men really are after him.

A warlord must fight a bloody battle in order to regain his kingdom.

In "Prayers for Bobby," Mary Griffith is a devout Christian who raises her children with the conservative teachings of the Presbyterian Church. However, when her son Bobby confides to his older brother he may be gay, life changes for the entire family after Mary learns about his secret. While Bobby's father and siblings slowly come to terms with his homosexuality, Mary believes God can cure him of what she considers his 'sin' and persuades Bobby to pray harder and seek solace in church activities in hopes of changing him. Desperate for his mother's approval, Bobby does what is asked of him, but through it all, the church's apparent disapproval of homosexuality causes him to grow increasingly withdrawn and depressed. Guilty over the pain he is causing Mary, Bobby moves away, yet hopes that some day his mother will accept him. His subsequent depression and self-loathing intensifies as he blames himself for not being the 'perfect' son and is driven to suicide. Faced with their tragedy, ...