British artist and cultural historian David Ellis first came to Lithuania almost twenty years ago. Driven by a curiosity about post-Soviet culture, he has continued to visit frequently over the years. In this film, Ellis travels through Lithuania's towns, meeting people and discussing how twenty years of independence reflect on their lives. This journey documents Ellis' encounters with present-day Lithuania and compares it to his early experiences, providing a capture of the tempo and level of success of the transition.

As dusk approaches and workers stream out of the city, thousands of individuals are about to begin their day's work. They shuffle through subterranean car parks, sprawling shopping centers and soaring office towers, leaving behind a trail of gleaming floors and emptied waste paper baskets. They are the cleaners - an invisible and underpaid army whose necessary work goes unnoticed. In LESSONS FROM THE NIGHT we spend a night with Maia, who reflects on life, work and toilet bowls as we follow her nightly cleaning round through silent, empty spaces. As she works, she reveals some of the secrets of the city - the traces of human presence that we leave behind each day - and of her former life in Bulgaria. LESSONS FROM THE NIGHT is both homage to the menial worker, and an existential film about cleaning.

A tour through the south of England featuring images of nature and various industrialized settings.

Adrian goes on a quest with his best friend to meet his father.

A tongue-in-cheek sex education documentary covering a different subject for each letter of the alphabet, e.g. A is for Anatomy, B is for Babies, etc.

'Superheroes' will introduce us to several of the country's most famous masked heroes including, Mr. Xtreme, a 33-year-old security guard officer by day, but a goon's worst nightmare by night. We'll follow Mr. Xtreme on his nightly patrols through the streets of San Diego, as he tries to stop evildoers and protect the innocent. We'll also meet the New York Initiative, a fantastic foursome of real life superheroes living together that tackle crime fighting, one Brooklyn borough at a time. Lead by Zimmer, we'll watch as they take to the streets and try to lure criminals out of hiding with their controversial Bait-Patrols. With over 300 registered superheroes in the United States, we'll definitively uncover the 'Real-Life Superhero' cultural phenomenon and discover what inspired these everyday citizens to take the law in to their own hands as they try to make the world a better and safer place for all.

Camp Victory, Afghanistan is the true story of the American Exit Strategy. Using 300 hours of footage shot over the course of three years, the film follows a battle-tested Afghan General and the steady stream of U.S. National Guard soldiers deployed to train the men of his newly formed battalion. It is the first film to examine the reality of building a functioning Afghan military-- but it is also a story about friendship and the unlikely bonds that form across cultural, political and social barriers.

Set 70 million years ago in the Cretaceous period in North America, this animated docu/drama follows the journey of a young Edmontosaurus named Scar and his herd as they migrate south for the winter. This film depicts recent findings about Dinosaurs, such as Tyrannosaurs with feathers.

In the 20th century, no artistic medium in North America with so much potential for creative expression has had a more turbulent history plagued with less respect than comic books. Through animated montages, readings and interviews, this film guides us through the history of the medium from the late 1930s and 1940s with the first explosion of popularity with the superheroes created by great talents like Jack Kirby and hitting its first artistic zenith with Will Eisner's "Spirit". It then shifts to the post war comics world with the rising popularity of crime and horror comics, especially those published by EC Comics under the editorshiop of William B. Gaines until it came crashing down the rise of censorship with the imposition of the Comics Code. In its wake of the devastation of the medium's creative freedom, we also explore EC's defiant survival with the creation of the singular "Mad Magazine" by Harvey Kurtzman. We then move to the resurgence of the superheroes in the late 1950's ...

Naomi Klein gives a lecture tracing the confluence of ideas about modifying behavior using shock therapy and other sensory deprivation and modifying national economics using the "shock treatment" of Milton Friedman and the Chicago School. She moves chronologically: Pinochet's Chile, Argentina and its junta, Yeltsin's Russia, Bush and Bremer's Iraq. A trumped-up villain provides distraction or rationalization: Marxism, the Falklands, nuclear weapons, terrorists; and, always, there is a great shift of money and power from the many to the few. News footage, a narrator, and talking heads back up Klein's analysis. She concludes on a note of hope.