Two in the Wave is the story of a friendship. Jean-Luc Godard was born in 1930; Francois Truffaut two years later. Love of movies brings them together. They write in the same magazines, Cahiers du Cinema and Arts. When the younger of the two becomes a filmmaker with "The 400 Blows", which triumphs in Cannes in 1959, he helps his older friend shift to directing, offering him a screenplay which already has a title, A bout de souffle, or Breathless. Through the 1960s the two loyally support each other. History and politics separate them in 1968, when Godard plunges into radical politics but Truffaut continues his career as before. Between the two of them, the actor Jean-Pierre Leaud is torn like a child caught between two separated and warring parents. Their friendship and their break-up embody the story of French cinema.

This is the incredible story of Pablo Escobar, the infamous boss of Colombia's Medellin drug cartel, told for the very first time by his son, Sebastian and his widow Maria Isabel Santos. In Nicolas Entel's film Sebastian tells of his extraordinary childhood, growing up with a father he loved but whom he knew to be Colombia's enemy number one. He tells of times of extraordinary luxury and extravagance, and other times on the run. And Sebastian and his widow open the family vaults to share their private and long hidden archives. But this is also the story of two of Escobar's most prominent victims, the Minister of Justice and a politician about to be elected President of Colombia, as told by their sons. They were among hundreds that Escobar had killed in the 1980's. The film follows Sebastian as he tries to break the cycle of revenge and assassination by seeking reconciliation with the sons of his father's victims.

A documentary filmmaker follows a model for several years, chronicling her rise from a fresh face to one that adorns billboards and magazines around the world. Go behind the scenes and chronicle the glitzy world of high fashion modeling, from photo shoots with celebrated photographers to runway shows in New York, Milan, and Paris.

In late 2007, filmmakers Ariel Schulman and Henry Joost sensed a story unfolding as they began to film the life of Ariel's brother, Nev. They had no idea that their project would lead to the most exhilarating and unsettling months of their lives. A reality thriller that is a shocking product of our times, Catfish is a riveting story of love, deception and grace within a labyrinth of online intrigue.

A documentary telling the story of the newly reformed Take That. Global mega star 'Robbie Williams' rejoins his former band mates for the first time in over 15 years to record Take That's sixth studio album 'Progress'. 'Look Back, Don't Stare' gives a brutally honest account of how Williams return to the group has affected the other four members and shows how the pressures of fame and the relentless power struggle for artistic leadership between Williams and Barlow contributed to the break up of one of the best selling bands of the 90's.

Some of the world's most innovative documentary filmmakers will explore the hidden side of everything.

A documentary on the safety of nuclear storage.

Director Johan Grimonprez casts Alfred Hitchcock as a paranoid history professor, unwittingly caught up in a double take on the cold war period. Subverting a meticulous array of TV footage and using 'The Birds' as an essential metaphor, DOUBLE TAKE traces catastrophe culture's relentless assault on the home, from moving images' inception to the present day.

SALT is the story of award winning and internationally renowned photographer, Murray Fredericks on his annual solo pilgrimage to the heart of Lake Eyre in the remote north corner of South Australia. It is a piece on the personal journey of the artist, the creative process and the landscape itself. Alone on the most featureless landscape on earth, Murray's personal video diary captures the beauty of this bleak, empty and desolate environment - and provides the catalyst for an unexpected personal transformation. Told with subtlety, care and gentle dry humor, SALT is the story of what emanates from emptiness. By combining the breathtaking imagery of this surreal landscape with the hauntingly delicate sounds of Aajinta's "Harmonic Sphere's, it attempts to identify what lies beneath the surface of our reality and how 'something' can be produced from 'nothing'...

Against a backdrop of war and poverty, Out of the Ashes, traces the extraordinary journey of a team of young, Afghan men, as they chase a seemingly impossible dream, shedding new light on a nation beyond that of burqas, bombs, drugs and devastation. This feature-length documentary follows the Afghan cricket team in their quest against the odds to qualify for the 2011 World Cup, premiering at the Edinburgh International Film Festival on 17th June. Backed by BBC Storyville and Oscar-winning director and cricket fan, Sam Mendes, 'Out of the Ashes' follows the squad over two years as they go from playing in their shalwar-kameezes on rubble pitches to batting their way around the globe and up the international league tables.

At the Edge of the World chronicles the controversial Sea Shepherd Antarctic Campaign against a Japanese whaling fleet. The international volunteer crew, under-trained and under-equipped, develop a combination of bizarre and brilliant tactics with which to stop the whalers. But first they must find the Japanese ships, a far more difficult challenge than ever imagined - long-time activist Paul Watson and first-time captain Alex Cornelissen employ an array of strategies in the hopes of finding an elusive adversary in the vast expanse of the Ross Sea. With one ship (the Farley Mowat) too slow to chase down the whaling fleet, with their second ship (the Robert Hunter) unsuited for Antarctic ice conditions and with no country supporting their efforts to enforce international law, the situation becomes increasingly desperate. Against all odds, however, a real-life pirate tale unfolds - a modern-day "David vs. Goliath" adventure.

The Great Year is a compelling documentary that explores the possibility that the fall of ancient civilizations around the globe, and the rise of modern civilization, might be related to our Sun's motion around a companion star. The film examines evidence that ancient civilizations may have known of this celestial cycle and that our Sun may indeed display the characteristics of binary motion.

Intent on shaking up the ultimate 'sacred cow' for Jews, Israeli director Yoav Shamir embarks on a provocative - and at times irreverent - quest to answer the question, "What is anti-Semitism today?" Does it remain a dangerous and immediate threat? Or is it a scare tactic used by right-wing Zionists to discredit their critics? Speaking with an array of people from across the political spectrum (including the head of the Anti-Defamation League and its fiercest critic, author Norman Finkelstein) and traveling to places like Auschwitz (alongside Israeli school kids) and Brooklyn (to explore reports of violence against Jews), Shamir discovers the realities of anti-Semitism today. His findings are shocking, enlightening and - surprisingly - often wryly funny.

The collar awarded to the winners of the Meilleur Ouvrier de France (Best Craftsman in France) is more than the ultimate recognition for every pastry chef - it is a dream and an obsession. The 3-day competition includes everything from delicate chocolates to precarious six foot sugar sculptures and requires that the chefs have extraordinary skill, nerves of steel and luck. The film follows Jacquy Pfeiffer, founder of The French Pastry School in Chicago, as he returns to France to compete against 15 of France's leading pastry chefs. The filmmakers were given first time/exclusive access to this high-stakes drama of passion, sacrifice, disappointment and joy in the quest to have President Sarkozy declare them one of the best in France.

'Jackass 3D' opens with the entire cast all lined up, each wearing a different color of the rainbow, in front of a rainbow colored background, each in turn being attacked in various ways. Some of the footage is slowed down for maximal effect. This is repeated again at the end of the movie with additional explosions mixed in with gallons of water to wash away the cast- chaos is resumed. Throughout the movie the team are subjected to the usual foray of physical abuse from team members or perform hilarious stunts (including some of the more stomach turning stunts such as the Sweat suit cocktail, Toy Train Eruption and Poo Cocktail Supreme - not for the weak stomached!).