Donner Pass has a well-known and macabre history - the place where George Donner and his party got stuck in the winter of 1846 and were forced to resort to cannibalism to keep from starving. But what if it wasn't just history?

"Farewell, My Concubine" is a movie with two parallel, intertwined stories. It is the story of two performers in the Beijing Opera, stage brothers, and the woman who comes between them. At the same time, it attempts to do no less than squeeze the entire political history of China in the twentieth century into a three-hour time-frame.

Karate meets Kalashnikovs as the uncontrollable force and the immovable object are thrown together in this bloody hilarious action comedy! Hiro's a Tokyo cyber-punk Yakuza with a simple mission: smuggle a toilet made of pure heroin to New York City. If he fails his boss will stick his sword where the rising sun don't shine. Marco's a muscle mountain enforcer working for a family of ex-commandos from the Bosnian war. He's an entry-level thug with dreams of rising up the ranks. But in the Bosnian mob, promotion is spelled AK-47. When a bloody New York mob war erupts and Hiro and Marco snatch the toilet. It's worth millions - if they can find somebody who can decipher the Japanese chemistry formula. Wounded, hunted and dragging a 50-pound toilet made of heroin; they race around New York. Through sleazy alleyways, bouncer brawls, sniper shoot-outs and a biker war they're on a quest to find a Japanese chemist...

A woman leaves the farm and enters the unknown.

Maciste arranges for himself and his new friend Bangor to be captured by a mysterious band of white-clad marauders and taken to an underground city. There the two are forced to turn an enormous wheel along with other captives as part of a gold-and-diamonds mining operation. The underground city's queen, Halis Mosab, takes note of the handsome, muscular Maciste and chooses him to be her consort if he can meet such challenges as saving the kidnapped Princess Saliura from a gigantic ape. Maciste kills the ape and carries Saliura back to the aboveground world. The white-clad marauders can't follow them if it means being caught in the sunlight which instantly dissolves them. Maciste then returns to the underground city to save the other captives. Meanwhile, high priest Kahab informs his son, Katar, that their queen is not one of them but, unbeknownst to her, was kidnapped as a small child from the "world above." If Katar can marry her...

David Basner is a successful advertising executive who has it all: Money, happiness, and women who want him. Then one day his world falls apart when his mother leaves his father. Now, he must balance his life between his mother, who is happy with her newfound independence, and his father, a recently laid off salesman who is hard-headed, stubborn, and hides a lot from David. Now David must cope with the downfall of his family and his life.

Molly, together with her three art student friends, embark upon a mission to find an empty house in London, with the view to the living as squatters, free from rent, and free to party. Having found the ideal squat, they break in and go about the merry business of dressing the stark interior to reflect their artistic selves. Darkness pervades their new dwelling place, a darkness through which they discover the full implications of their intrepid choice. A nightmare unfolds that traps the viewer and protagonists alike in a terrifying and unforgiving new reality. Who or what is orchestrating their bloody demise and why? The house appeared to be empty and yet a malevolent force is clearly at work.

The theme is the founding of the state of Israel. The action begins on a ship filled with Jewish immigrants bound for Israel who are being off loaded on Cyprus. An Intelligence officer succeeds in getting them back on board their ship only to have the harbor blocked by the British with whom they must negotiate. The second part of the film is about the situation in Israel as independence is declared and most of their neighbors attack them.

A political thriller advancing the theory that it was in fact Edward De Vere, Earl of Oxford who penned Shakespeare's plays; set against the backdrop of the succession of Queen Elizabeth I, and the Essex Rebellion against her.