Alvin Corwin is low man on the totem pole, and goes from one mishap to another at an army training camp in World War II.

When Max, a young poet hires a marketing company to turn his suicide-by-jumping into a mass-media spectacle, he finds that his subversive intentions are quickly diluted into a reactionary gesture, and his motivations are revealed as a desperate attempt to seek attention through celebrity.

The first of four 'Bujang Lapok' (Unwanted Bachelor) movies, this movie chronicles the loves and lives of three bachelors living in '50s Singapore.

An undertaker who hasn't had any 'customers' in a long time is forced the pay one year's back-rent. To get money he starts to kill people in order to get new clients.

Tamara is a girl who didn't quite fit in. Tamara is constantly picked on and when a couple of friends plays a joke on Tamara, it leads to her death. The friends bury her tries to make it seem that Tamara ran away. But all is not forgotten. Tamara reutrns as a sexy seductress and plans her revenge. (due to witchcraft). Well like they say: Karma's a bitch.

Nazi skinheads in Melbourne take out their anger on local Vietnamese, who are seen as threatening racial purity. Finally the Vietnamese have had enough and confront the skinheads in an all-out confrontation, sending the skinheads running. A woman who is prone to epileptic seizures joins the skins' merry band, and helps them on their run from justice, but is her affliction also a sign of impurity?

A thesis picture. In 1938, Gandhi's party is making inroads in women's rights. Chuyia, a child already married but living with her parents, becomes a widow. By tradition, she is unceremoniously left at a bare and impoverished widows' ashram, beside the Ganges during monsoon season. The ashram's leader pimps out Kalyani, a young and beautiful widow, for household funds. Narayan, a follower of Gandhi, falls in love with her. Can she break with tradition and religious teaching to marry him? The ashram's moral center is Shakuntala, deeply religious but conflicted about her fate. Can she protect Kalyani or Chuyia? Amid all this water, is rebirth possible or does tradition drown all?

A man in a suit at a Manhattan firm leaves work on Friday; he looks unhappy. He stops at a fortune teller's for a Tarot reading: "You are not where you belong," she tells him. That evening he quits his marriage and walks the streets of New York, passing from a classy bar to a gentleman's club, then to a high-class bordello, a mugging, a pawnshop, and a diner where someone does listen. He shares his insights with her and later with others. Violence, disappointment, and musings entwine as Edmond loses his moorings while believing he's found them. Where does he belong?