Jeremy Sless developed a passion for movies at a young age, having seen many that were out of his age restriction at the time. As he grew older, he slowly watched many of his friends lose interest in 'playing pretend'. Slightly disappointed, Jeremy continued to play anyway, always emulating various movie characters from recent films. When he was thirteen years old, he was told that he had to get into acting, should he want to be in the real movies. That led to him being cast in some 'junior' versions of Broadway plays that local theater groups were doing, Once there, Jeremy felt out of place and was not satisfied with his experiences, so he turned to making movies himself with any friends that desired to do so as well. He felt he could do better and have more fun creating his own works rather than being at the mercy of others. Plus it gave him the opportunity to 'play pretend' with many of his friends again, only this time they were making something they could all be proud of. Between the years of 2007 and 2011, Jeremy created over 30 films. Mainly using the name 'Sless Is More Productions', he completed many short films, including Once an Agent (2011), and even a feature film, Recrudesce (2011). Both films eventually led to him being accepted to California Institute of the Arts' BFA Acting program in 2011 as well as to being cast in professional work after leaving 'CalArts' in 2013. Always pursuing another adventure, Jeremy strives to put his absolute best into every moment of every acting experience he can. - IMDb Mini Biography By: Jeremy Sless
Won Best Supporting Actor in a Feature Comedy at the Atlantic City Cinefest 2012 for his portrayal of Wendle Wayne in Armageddon Ed's Ticket to Hell (2012).
Cindy returns to her family home after the death of her father to settle some disputes. Seeking comfort, she is joined by her boyfriend and friends. But she soon discovers that the house hides a terrible secret,
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A young woman bound in the front seat of a parked car watches helplessly as her captor methodically digs a grave in the desert ground. The bloody lifeless body of her boyfriend lies framed in the rear-view mirror, a fate she will fight at all costs to avoid for herself. But this is only the beginning of a brutal struggle where survival could be worse than death.