The Countess is called away to tend a sick friend and imposes on the General to accept her daughter Marcilla as a houseguest. Some of the villagers begin dying, however, and the General's daughter Laura soon gets weak and pale, but Marcilla is there to comfort her. The villagers begin whispering about vampires as Marcilla finds another family on which to impose herself. The pattern repeats as Emma gets ill, but the General cannot rest, and seeks the advice of Baron Hartog, who once dealt a decisive blow against a family of vampires. Well, almost.

In the closing days of World War II, German prisoners riot in a POW Camp in Scotland. Fearful of a mass escape attempt, the British Army sends in an unorthodox Irish Captain in hopes of discovering exactly what is going on. The Irishman at once comes into conflict with the senior prisoner, a U-Boat commander, and the two must match wits, knowing that only one will emerge victorious.

After a cavalry group is massacred by the Cheyenne, only two survivors remain: Honus, a naive private devoted to his duty, and Cresta, a young woman who had lived with the Cheyenne two years and whose sympathies lie more with them than with the US government. Together, they must try to reach the cavalry's main base camp. As they travel onward, Honus is torn between his growing affection for Cresta, and his disgust for her anti-American beliefs. They reach the cavalry campsite on the eve of an attack on a Cheyenne village, where Honus will learn which side has really been telling him the truth.

Milo is a boy who is bored with life. One day he comes home to find a toll booth in his room. Having nothing better to do, he gets in his toy car and drives through - only to emerge in a world full of adventure.

El Topo decides to confront warrior Masters on a trans-formative desert journey he begins with his 6 year old son, who must bury his childhood totems to become a man. El Topo (the mole) claims to be God, while dressed as a gunfighter in black, riding a horse through a spiritual, mystical landscape strewn with old Western movie, and ancient Eastern religious symbols. Bandits slaughtered a village on his path, so El Topo avenges the massacred, then forcibly takes their leader's woman Mara as his. El Topo's surreal way is bloody, sexual and self-reflective, musing of his own demons, as he tries to vanquish those he encounters.

Cultural attache Jerome spends his last holidays as a bachelor at Lake Annecy where he meets Aurora, an Italian writer and old friend. She talks him into a flirt with his landlady's teenage daughter, Laura, but he falls for Laura's half-sister Claire and develops a desire to caress her knee.

When the young woman Tristana's mother dies, she is entrusted to the guardianship of the well-respected though old Don Lope. Don Lope is well-liked and well-known because of his honorable nature, despite his socialistic views about business and religion. But Don Lope's one weakness is women, and he falls for the innocent girl in his charge, seduces her, makes her his lover, though all the while explaining to her that she is as free as he. But when she acts on this freedom, Don Lope must deal with the consequences of his world-view.

The intertwined lives of two kindred souls with ambition begins when Captain Whip Hoxworth discovers that Nyuk Tsin has been smuggled aboard as part of cargo on The Carthaginian, which he captains, a cargo supposed to consist of only male Chinese workers bound for Hawaii. Nyuk Tsin was kidnapped from her Haaka village to be sold to a Honolulu brothel. She is spared when Mun Ki claims she is his wife, and Hoxworth goes along with his wife's suggestion that they can work in the Hoxworth household as domestic servants. Nyuk Tsin becomes known to all as Wu Chow's Auntie (Aunt of Five Continents) when her five sons are named after continents (with Mun Ki's wife in China regarded as their official mother). Whip founds an empire in pineapples, using Japanese laborers, after smuggling his first seed crop from French Guiana as Wu Chow's Auntie grows a family business in Honolulu around her sons.

This precursor to later "epic" 70's disaster films illustrates 12 hours in the lives of the personnel and passengers at the "Lincoln Airport." Endless problems, professional and personal, are thrown at the various personnel responsible for the safe and proper administration of air traffic, airline management and aviation at a major US airport. Take one severe snowstorm, add multiple schedules gone awry, one elderly Trans Global Airlines stowaway, shortages, an aging, meretricious pilot, unreasonable, peevish spouses, manpower issues, fuel problems, frozen runways and equipment malfunctions and you get just a sample of the obstacles faced by weary, disgruntled personnel and passengers at the Lincoln Airport. Toss in one long-suffering pilot's wife, several stubborn men, office politics and romance and one passenger with a bomb and you have the film "Airport" from 1970.