Three young housewives, feeling neglected and abandoned after their spouses go off together on their latest hunting trip, try out at an elite brothel run by the glamorous Madam Brittany for kicks and cash. But what begins as a sexy lark takes on greater consequences, and soon becomes a life-changing experience for the sexy trio -- especially once the dark secret shared by their patronizing, inattentive husbands is revealed.

Bywater's native Seminole Indians believe the swamp will be bloodily revenged by its guardian spirit, a 'dark warrior', for its 'rape' by Frederic and son Jake Schist's oil-drilling, sold out by their own late chief Ted Sallis. The rig is illegally protested against by hot-head ecologists, who get blamed for vandalism on the site. New, outsider sheriff Kyle Williams suspects immediately local adolescent Billy James wasn't eaten during love-making there by a cayman but by a mysterious monster, which already made and soon makes new bloody victims in weird, inconsistent ways. Several people add to the danger.

An alien narrates the story of his dying planet, his and his people's visitations to Earth and Earth's self-made demise, while human astronauts in space are attempting to find an alternate planet for surviving humans to live on.

Tamara is a girl who didn't quite fit in. Tamara is constantly picked on and when a couple of friends plays a joke on Tamara, it leads to her death. The friends bury her tries to make it seem that Tamara ran away. But all is not forgotten. Tamara reutrns as a sexy seductress and plans her revenge. (due to witchcraft). Well like they say: Karma's a bitch.

A thesis picture. In 1938, Gandhi's party is making inroads in women's rights. Chuyia, a child already married but living with her parents, becomes a widow. By tradition, she is unceremoniously left at a bare and impoverished widows' ashram, beside the Ganges during monsoon season. The ashram's leader pimps out Kalyani, a young and beautiful widow, for household funds. Narayan, a follower of Gandhi, falls in love with her. Can she break with tradition and religious teaching to marry him? The ashram's moral center is Shakuntala, deeply religious but conflicted about her fate. Can she protect Kalyani or Chuyia? Amid all this water, is rebirth possible or does tradition drown all?

A man in a suit at a Manhattan firm leaves work on Friday; he looks unhappy. He stops at a fortune teller's for a Tarot reading: "You are not where you belong," she tells him. That evening he quits his marriage and walks the streets of New York, passing from a classy bar to a gentleman's club, then to a high-class bordello, a mugging, a pawnshop, and a diner where someone does listen. He shares his insights with her and later with others. Violence, disappointment, and musings entwine as Edmond loses his moorings while believing he's found them. Where does he belong?

Old-fashioned NYPD detective Charlie Daines, a grave long cancer sufferer, feels out of his depth when as serial killer posts his gruesomely imaginative murders, mostly on top managers, on Internet, first spotted by his couch-potato son Vinnie. The brass rather confides the high-profile case to 'nerds', champion of whom is wheelchair-stuck Adam Sotrel. Charlie systematically alienates everybody, family and colleagues, but finds an angle to approach the case.

Cruel But Necessary is the story of Betty Munson's strange journey of self-discovery and soul-awakening in the traumatic years following the revelation, on videotape, of her husband's infidelity. Her marriage over, struggling to raise her teen-age son alone, Betty becomes driven to discover other secrets that may surround her and so she videotapes every aspect of her life during the gradual disintegration of her comfortable upper middle-class existence. Sometimes used as an eavesdropping device, other times as a confessional, Betty's camera dispassionately records the layers of family and personal dynamics. The film is seen entirely from the viewpoint of Betty's video camera resulting in a "surveillance tape" that is a kind of voyeurism of the absurd.