A young artist (Peter Paige), desperate to replace the relationship he had with his recently relocated godson, is targeted by a neighborhood mom (Kathy Najimy) as a potential threat to the community.

The title character is a boy whose bizarre skills frighten his caregivers. Due to his ability to contort his body into unnatural positions, he is kept locked in the family basement. With nothing more than a vivid imagination and a pitiful pet dog, he attempts to keep himself entertained.

In a tale akin to Romeo and Juliet, the friendship between two children is threatened by their parents' differences. Malu is from an upper-class family and her single mother does not want her to play with Jorgito, as she thinks his background coarse and commonplace. Jorgito's mother is a poor socialist that is proud of her family's social standing. She places similar restriction on her son. What neither woman recognizes is the immense strength of the bond between Malu and Jorgito. When the children learn that Malu's mother is planning to leave Cuba, they decide to travel to the other side of the island to find Malu's father and persuade him against signing the forms that would allow it.

Recently widowed well-to-do Laura Henderson is at a bit of a loose end in inter-war London. On a whim she buys the derelict Windmill theatre in the West End and persuades impresario Vivian Van Damm to run it, despite the fact the two don't seem to get on at all. Although their idea of a non-stop revue is at first a success, other theatres copy it and disaster looms. Laura suggests they put nudes in the show, but Van Damm points out that the Lord Chamberlain, who licenses live shows in Britain, is likely to have something to say about this. Luckily Mrs Henderson is friends with him.

An astronaut doctor Ivan Hood and his fellow astronaut Kelly return from their mission in space to find the world has been taken over by aliens. Now Dr. Ivan Hood and Kelly must lead a revolution to free the human slaves from their alien masters.

A horror movie testing two approaches to running an insane asylum - absolute freedom versus control and punishment - within the context of a world that combines the worst of both. Jean Berlot, a young man subject to a nightmare of being forced into a straitjacket by two orderlies, is befriended by a marquis. At the marquis's estate, Jean witnesses a black Mass, buries someone alive, and is invited to try preventive therapy. He's willing to enter a sanatorium because he believes he can rescue a young woman from there who has told him that the real director and staff of the clinic are locked in the basement. Jean conspires with her to set them free: the horrors have only begun.

"Bangkok Girl" is a 'remarkably accomplished, beautifully photographed and intimate debut documentary that puts a human face on the devastating social issue that, sadly, is the fate of too many impoverished girls.' The documentary provides a glimpse of Thailand's sex tourism told through the experiences of a 19-year-old bar girl named Pla.