Lamb, based on the novel by Bonnie Nadzam, traces the self-discovery of David Lamb in the weeks following the disintegration of his marriage and the death of his father. Hoping to regain some faith in his own goodness, he turns his attention to Tommie, an awkward and unpopular eleven-year-old girl. Lamb is convinced that he can help her avoid a destiny of apathy and emptiness, and takes Tommie for a road trip from Chicago to the Rockies, planning to initiate her into the beauty of the mountain wilderness. The journey shakes them in ways neither expects.

The discovery of a bone and a gun send a husband and wife on separate adventures over the course of a weekend.

The beauty of the land cannot mask the brutality of a farm town. As harvest draws near, Betty confronts a terrifying new reality and will go to desperate lengths to save her family when they are threatened with being forced from their land. An old friend, struggling to keep his own farm profitable by any means necessary-offers Betty a way out. She refuses to get involved, but as the pressures mount for her family and they are on the brink of eviction, her husband, Frank, reveals that he is seriously ill. How far will one to go to take care of one's own? Recalling all that is heartland Americana, this film combines an ecological urgency with a compelling yet sensitive story.

A psychological suspense drama-thriller where a psychologist becomes obsessed with one of his patients. The lines between dreams and reality blend.

The story centers on a religiously conservative, married southern woman who receives a message from God instructing her to act as a surrogate mother and carry a child for two married gay men who live in Boston - a Jewish doctor and and African-American dance choreographer. All Hell breaks loose when the African American man comes to her home down south to micro-manage her pregnancy, and he won't leave.

"Familiar Strangers" asks the question. "Is it really possible to relate to ones parents and siblings after being replaced by the family dog? . . . Perhaps as friends - weird friends?" An off beat - funny - heartfelt story of family negotiating the changing relationships between parents and children, especially as those children grow into adulthood.

A study of a relationship that starts quickly, burns bright, and then gets rocky, not from any one thing, but from an accumulation of civilization and its discontents. Stuart is glib and generous, Nicole is shy and forthright. He doesn't like her best friend; she tires of his brother's antics. She wants children sooner. He's a poor listener, she broods. Both have divorced parents, and their families complicate their lives. Is love enough to see them through?

A group of high school friends must come to terms with the fact that one of them, Samson, killed another, Jamie. Reactions vary, as Layne is intent on protecting Samson and smuggling him out of the state, while others think it's best to go to the police. Matt's tough little brother also finds out about the body and no one knows quite how the police will learn about the murder or who will be blamed for it.

This is a gentle, innocent film about the reflections of an aging man, who returns to his home town after the death of his best friend. Memories of life at age 11 floods back as it was a magical time that changed his life. Three 11 year old children (Bobby, Carol, and Sully) share their lives. Carol and Bobby have a special affection for one another including sharing a kiss "by which all others will be measured". Bobby lives with his mother, a bitter, vain woman who looks for pleasures for herself without sharing much with her son. Into their lives comes a mysterious new boarder, who befriends the boy but generates distrust from the mother. As time passes, the man and boy share confidences and special powers are revealed. The man warns the boy to be on the lookout for the "lowmen", who were seeking him. The two share a summer's adventures and come to love one another before the inevitable happens. A confrontation with a school bully also changes everyone.

Wes Craven produces this remake of his 1977 classic of the same name, about the Carters, an idyllic American family travelling through the great American southwest. But their trip takes a detour into an area closed off from the public, but more importantly from society. An area originally used by the U.S. Government for nuclear testing that was intended to be empty...or so they thought? When the Carter's car breaks down at the old site, they're stranded...or are they? As the Carters may soon realize that what seemed like a car casually breaking down, might actually be a trap. This trap might be perpetrated by the inhabitants of the site who aren't pulling a prank, but are out to set up a gruesome massacre.

Gospel Hill is about haunted men, the former sheriff of the southern town dealing with past sins, and the former civil rights worker withdrawn since the martyrdom of his father thirty years before. Their final confrontation comes when a corporation descends on the town, echoing a struggle thirty years old.

Innocent lives hang on the whim of an elusive psychopathic murderer whose strange riddles and impossible timelines force three people into a mission to end the game before one or all of them die.

Andy Sargentee is a decent guy and the town's favorite failure: an unemployable dreamer whose ex's husband's wealth intimidates Andy to such an extent he does little with his teen son. Andy's new idea is for Butterface Fields to be the first town to band together to make the first full-length feature amateur adult film. He recruits five regulars at Floyd's Bar to contribute $2000 each. They get the kid at the video store, whose camcorder is constantly on, to be the cinematographer. The pal they all call "Some Idiot" volunteers to be writer-director. Otis becomes producer. Now, can they find actors, and especially, women? Can a pornography project give Andy self-respect?