An unapologetically millennial view of Los Angeles, Melrose is a truly rare, and original, cinematic experience. It's La La Land - on acid; 500 Days of Summer - off its meds; The Graduate - for the college dropout. Financed entirely with college tuition payments, and produced independently with zero compromise by a crew with a median age of 21, it's "a crazy, color blast of a movie." (Actors Awards LA) and an authentic debut by director Soren James. Featuring award-winning, unforgettable debut performances from Jinny Ryann and Drew Koles, alongside irreverent, scene-stealing debuts from Merlin Froyd and Marie Oldenbourg, it's dark, hilarious, heartbreaking, and spontaneous; sometimes all at once. With a hugely evocative soundtrack, a smart script, eye-popping widescreen cinematography, frenetic, fast paced editing, and a clever use of long, unbroken takes - the result is a rollercoaster ride, an experience comparable only to actually being in your twenties, with all its ups and downs. Written by Gravitas Ventures

Johnny Rizzo, is about to trade his dream job in talk radio for some snooze-ville gig that'll pay enough to please his fiancée. Enter Uncle Terry, a rascally womanizer set on turning a weekend in the Hamptons into an eye-opening fling for his nephew. Nice guy Johnny's not interested, of course, but then he meets the lovely Brooke, who challenges Johnny to make the toughest decision of is life.

Jason has just been dumped, but he didn't even realize they were going out. Meanwhile, Mikey's wife has just asked him for a divorce, and perpetually single Daniel is still single. The three best friends are determined to stay single together and just have fun. But then Jason meets Ellie who just might be perfect for him, Daniel starts to realize that his gal pal Chelsea might be perfect for him, and Mikey has always thought that his wife was perfect for him. The boys are going to have to juggle their single life with their romantic entanglements and it's going to get awkward.

The assorted humiliations, disasters and rare triumphs of four very different twenty-something girls: Hannah, an aspiring writer; Marnie, an art gallery assistant and cousins Jessa and Shoshanna.

After college graduation, Grover's girlfriend Jane tells him she's moving to Prague to study writing. Grover declines to accompany her, deciding instead to move in with several friends, all of whom can't quite work up the inertia to escape their university's pull. Nobody wants to make any big decisions that would radically alter his life, yet none of them wants to end up like Chet, the professional student who tends bar and is in his tenth year of university studies.