Late at night, a drunken couple walk into a fenced grassy area with a tennis court. They start sex games on the umpire's chair, interrupted by the court lights going on and loud sounds coming over the public address system. They realize the gate they entered is now locked. They yell for help over the din of the speakers. She runs for the opposite gate; it's locked as well. He gives her a boost so she can climb the fence. Is something coming?

When his fourth son, Gibreel, is born, Emad, a Palestinian villager, gets his first camera. In his village, Bil'in, a separation barrier is being built and the villagers start to resist this decision. For more than five years, Emad films the struggle, which is lead by two of his best friends, alongside filming how Gibreel grows. Very soon it affects his family and his own life. Daily arrests and night raids scare his family; his friends, brothers and him as well are either shot or arrested. One Camera after another is shot at or smashed, each camera tells a part of his story.

Three teenagers are confined to an isolated country estate that could very well be on another planet. The trio spend their days listening to endless homemade tapes that teach them a whole new vocabulary. Any word that comes from beyond their family abode is instantly assigned a new meaning. Hence 'the sea' refers to a large armchair and 'zombies' are little yellow flowers. Having invented a brother whom they claim to have ostracized for his disobedience, the über-controlling parents terrorize their offspring into submission. The father is the only family member who can leave the manicured lawns of their self-inflicted exile, earning their keep by managing a nearby factory, while the only outsider allowed on the premises is his colleague Christina, who is paid to relieve the son of his male urges. Tired of these dutiful acts of carnality, Christina disturbs the domestic balance.