Eastern Europe - a city torn by civil war - Present Day Jonah Ludovic writes in his journal. His poetry softening the cynical observations of a man living a self imposed penance. Wherever he came from and whoever he was, Ludovic is now alone, silenced by a crime unknown. Ludovic can hear the shelling of an imposing civil war. He can see the flashes of fire destroying a city that once was his home. He doesn't move. He just writes. As daybreak arrives, the shelling has ceased. Ludovic makes his way to his job as a custodian at the local zoo. He is met at the gates by the fleeing staff. Ludovic chooses to remain behind, he has no where to go. Along with an elderly guard and a veterinarian, the three set out to care for the animals and hopefully protect them and themselves, from harm. It is not long before the war has reached the gates of the zoo. Dragov, the sociopathic captain of a local search platoon of nationalists...
Italiensk for begyndere (2000)
A young minister, a widower, is temporarily assigned to a church whose suspended pastor drove parishioners away; he stays at a hotel where he meets Jørgen, who's alone approaching middle age. Jørgen's friend Finn, a temperamental restaurant manager, may be about to be fired. Finn's assistant is Giulia, a lovely young Italian who prays for a husband. Olympia, a clumsy bakery clerk, has an ornery father; Karen, a hairdresser, has a mother who is very ill. The paths of these six characters cross at church, in the restaurant, at the hotel, and at an Italian class at the local adult school. Loneliness, grief, solace, romance, and love may meet 'nel mezzo del cammin di nostra vita.'
When the critically acclaimed, tough and coming of age actress Thea Barfoed ends her rehab, she confronts a hard choice. During her heavy drinking period she divorced and lost custody of her two boys. Now she wants them to be a part of her life again. Christian, her ex husband is quickly softened by her tough manipulative but charming figure and agrees. She has to prove to her self and to him, that she is worth the try. But the hard life on stage, and the ghosts of the past slowly comes knocking on her door. Thea is forced to face her inner voices. She is bound to give in to her faith, and make the choice.
Submarino (2010)
As children, Nick and his little brother take care of their baby brother while their mother drinks herself senseless. But the baby dies, and both brothers blame themselves. Many years later, Nick is out of prison after serving time for an assault. He drinks, lives in a shelter and tries to help an old friend. When their mother dies, Nick meets his brother at the funeral. The brother, who remains nameless, is a single father to a young boy, but also supports a drug habit that is spiraling out of control. When an opportunity presents itself, he becomes a drug dealer to secure his son's future. Eventually, the two brothers meet again.
Add date: 2017-04-20
After taking a bullet to the head, Salander is under close supervision in a hospital and is set to face trial for attempted murder on her eventual release. With the help of journalist Mikael Blomkvist and his researchers at Millennium magazine, Salander must prove her innocence. In doing this she plays against powerful enemies and her own past.
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Stille dage i Clichy (1970)
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Into Eternity (2010)
No Right Turn (2009)
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Intent on shaking up the ultimate 'sacred cow' for Jews, Israeli director Yoav Shamir embarks on a provocative - and at times irreverent - quest to answer the question, "What is anti-Semitism today?" Does it remain a dangerous and immediate threat? Or is it a scare tactic used by right-wing Zionists to discredit their critics? Speaking with an array of people from across the political spectrum (including the head of the Anti-Defamation League and its fiercest critic, author Norman Finkelstein) and traveling to places like Auschwitz (alongside Israeli school kids) and Brooklyn (to explore reports of violence against Jews), Shamir discovers the realities of anti-Semitism today. His findings are shocking, enlightening and - surprisingly - often wryly funny.
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