Claude Lanzmann directed this 9 1/2 hour documentary of the Holocaust without using a single frame of archive footage. He interviews survivors, witnesses, and ex-Nazis (whom he had to film secretly since though only agreed to be interviewed by audio). His style of interviewing by asking for the most minute details is effective at adding up these details to give a horrifying portrait of the events of Nazi genocide. He also shows, or rather lets some of his subjects themselves show, that the anti-Semitism that caused 6 million Jews to die in the Holocaust is still alive in well in many people that still live in Germany, Poland, and elsewhere.

Under threat by fundamentalist terrorists, a group of Trappist monks stationed with an impoverished Algerian community must decide whether to leave or stay.

On his deathbed, Uncle Boonmee, recalls his many past lives.

A year in the life of a small Italian coastal town in the nineteen-thirties, as is recalled by a director with a superstar's access to the resources of the Italian film industry and a piper's command over our imaginations. Federico Fellini's film combines the free form and make-believe splendor with the comic, bittersweet feeling for character and narrative we remember from some of his best films of the 1950s. The town in the film is based on Rimini, where Mr. Fellini grew up. Yet there is now something magical, larger-than-life about the town, its citizens and many of the things that happen to them.

Tania, a young Russian woman who lives illegally in Belgium with her 13-year-old son Ivan. Constantly on her guard, she dreads police checks until the day she is arrested. Mother and son are separated and Tania is placed in a detention center. She will do anything to be reunited with her son but won't manage to avoid threats of deportation.

Michel Vaujour, former thief and mobster, always chose making a break for freedom over a life behind bars, adventure over a life of submission. He has spent 27 years in prison, 17 of those in solitary confinement. He succeeded in carrying out amazing escapes with toy guns, worthy of a Hollywood script, including a daring helicopter breakout from the roof of a jail. He was finally released on parole in 2003. This documentary is an uplifting and universal story of a remarkable transformation. Michel Vaujour's greatest escape was not from jail but from himself. The liberation of the mind and ultimately, the soul. His isolation forced him to continuously confront himself. The reward has been self-enlightenment.