Screenwriter Peter Morgan and director Fernando Meirelles' 360 combines a modern and dynamic roundelay of stories into one, linking characters from different cities and countries in a vivid, suspenseful and deeply moving tale of love in the 21st century. Starting in Vienna, the film beautifully weaves through Paris, London, Bratislava, Rio, Denver and Phoenix into a single, mesmerizing narrative.

Cleanskin: Ewan (Sean Bean) is a British Secret Service Agent faced with the task of pursuing and eliminating a British born Asian suicide bomber Ash (Abhin Galeya) and his terrorist cell, whilst Ash wrestles with his conscience and reflects on his journey to terrorism.

Follows two unlikely heroes who stumble upon a mysterious crate, washed ashore. The locals find that the contents make a rather addictive herbal tea that turns the villagers into crazy zombies.

In 2008, the Siegel family was top of the heap with the wealthy and politically influential David Siegel running the successful Westgate Resorts time-share business. To enjoy their good life, he and his engineer turned beauty queen trophy wife, Jackie, were building the largest single family private home in America. Suddenly, both the US economy and Westgate were rocked by the devastating sub-prime mortgage collapse. In the new economic reality with the business teetering on ruin, we follow the Siegels as they struggle to scale down their grotesquely ostentatious lifestyle. For this overprivileged family, accepting that situation proved a dispiriting struggle even as their unfinished dream home became a monument of their superficial values.

In November 2005, US Marines fell into an ambush by Iraqi insurgents and one officer got killed. The reprisals by the the Americans were frightening, resulting in the massacre of 24 people, many of whom women and children. "Battle for Haditha" is the faithful account of this tragic event which scandalized the world.

An animal-loving volunteer and a small-town news reporter are joined by a native Alaskan boy to rally an entire community - and eventually rival world superpowers - to save a family of majestic gray whales trapped by rapidly forming ice in the Arctic Circle.

Based on Thomas Hardy's classic novel Tess of the D'Urbervilles, 'Trishna' tells the story of one woman whose life is destroyed by a combination of love and circumstances. Set in contemporary Rajasthan, Trishna (Freida Pinto) meets a wealthy young British businessman Jay Singh (Riz Ahmed) who has come to India to work in his father's hotel business. After an accident destroys her father's Jeep, Trishna goes to work for Jay, and they fall in love. But despite their feelings for each other, they cannot escape the conflicting pressures of a rural society which is changing rapidly through industrialisation, urbanisation and, above all, education. Trishna's tragedy is that she is torn between the traditions of her family life and the dreams and ambitions that her education has given her.

David and Mia meet and fall in love during a holiday romance. After a week, David proposes and they plan to marry in a few days. David goes home to England and gets his three best friends to return with him to Australia for the wedding.

Into the abyss explores a triple murder which occurred in the small Texas City of Conroe in 2001. Michael Perry and Jason Burkett, under the influence of alcohol and drugs, murdered a middle-aged housewife; they then gunned down her stepson and his friend. The film features Conversations with the two inmates and those affected by their crime. Unlike many of the films that deal with crimes, into the abyss isn't concerned with figuring out exactly what happened, but rather serves as an examination of why people - and the state - kill.

A Birmingham-based band are ordered by their unhappy record company to an old warehouse; the goal being to re-start their ailing careers with a kick-ass new promo video. Unfortunately the band and their entourage find themselves targets of a mysterious knife-wielding maniac, haunted by the voice of Satan, and out for revenge.

Georges Duroy is a penniless soldier returning from war. He travels to Paris in a search for ways to improve his social and financial status. He uses his wit and powers of seduction to charm wealthy women.

SOMETHING FROM NOTHING: THE ART OF RAP is a feature length performance documentary about the runaway juggernaut that is Rap music. At the wheel of this unstoppable beast is the film's director and interviewer Ice-T. Taking us on a deeply personal journey Ice-T uncovers how this music of the street has grown to dominate the world. Along the way Ice-T meets a whole spectrum of Hip-Hop talent, from founders, to new faces, to the global superstars like Eminem, Dr Dre, Snoop Dogg and Kanye West. He exposes the roots and history of Rap and then, through meeting many of its most famous protagonists, studies the living mechanism of the music to reveal 'The Art Of Rap'. This extraordinary film features unique performances from the entire cast, without resorting to archive material, to build a fresh and surprising take on the phenomenon that is Rap.

Alice dozes in a garden, awakened by a dithering white rabbit in waistcoat with pocket watch. She follows him down a hole and finds herself in a hall of many doors. A key opens a small door: eventually, she's through into a garden where a dog awaits. Later, in the rabbit's home, her size is again a problem. She tries to help a nanny with a howling baby, then a Cheshire cat directs her to a tea party where the Mad Hatter and March Hare dunk a dormouse. Expelled from the party, Alice happens on a royal processional: all the cards in the deck precede the Queen of Hearts, who welcomes then turns on Alice and calls on the royal executioner. Alice must run for her life.

An American boy turns out to be the long-lost heir of a British fortune. He is sent to live with the cold and unsentimental lord who oversees the trust.

A stationary camera looks on as two dapper gents play a game of chess. One drinks and smokes, and when he looks away, his opponent moves two pieces. A fight ensues, first with the squirting of a seltzer bottle, then with fisticuffs. The combatants wrestle each other to the floor and continue the fight out of the camera's view, hidden by the table. The waiter arrives to haul both of them out.

A barmaid plies a swell with smiles and with cherries from a box that's just been delivered. When she refuses a cherry to a roughly-dressed tradesman who runs a tab at the bar, he pays off his debt in a huff, using all his week's pay. He then storms penniless and without provisions into his ill-furnished house where his wife and two children, ill-clad and ill-fed, cower. Is there any hope for him and for his family? If he does realize how low he's sunk, what help is there to lift him up? Will the family ever know the taste of cherries?

A Spiritualist causes a group of table-turners to walk upside down on the ceiling.

The water beats relentlessly against the Hell's Mouth (Boca do Inferno), one of the main natural attractions of Lisbon's west coast, filmed from above almost in a vertical plunge onto the deep, rocky ground.

Husband comes home late and wakes the wife.

Outside an art exhibit, an elderly couple are sitting on a bench, enjoying some refreshments. As two well-dressed women pass by and enter the exhibit, the man takes an extra drink from a bottle. The woman seems eager for him to finish, so that they also can go inside.

A man and a woman talk beside a street near a corner where a cop stands. Just as a horse-drawn cart rounds the corner, the man backs off the sidewalk saying good-by to his companion. The horse and cart flatten him and continue on, out of the camera's stationary range. The cop runs after the cab, the woman dashes to the body. The cop brings back the driver; is the victim dead?

A husband rushes for a doctor and his wife has triplets.

A boy causes his mother to be upset into a water tub.

An old proprietor is startled by the sudden appearance of a skull. Just as he draws back from the uncanny object, the doors of a mediaeval wardrobe fly back and a hand prods him with a sword. He turns to confront his assailant when it vanishes, and at the same instant the skull flies to the other end of the room. He clutches at the skull, when it turns into the half form of a girl from the waist up, suspended in mid-air. As he gazes in amusement, the other half of the girl, fully dressed from her waist down, walks across the room, and the two halves of the figure join, making a girl complete. In an amorous fashion the old man folds his arms around the girl's waist with the intention of stealing a kiss, but the girl immediately changes into an old woman, who grins in evident delight at the old man's discomfort. In great anger he throws her into the wardrobe and locks the door. Unseen by him...

A burglar ties up a woman while the husband hides under the bed.

A magical glowing white motorcar dismembers policemen, drives up buildings, flies through outer space and can transform into a horse and carriage. This was a British effort to top Melies at his Sci-Fi/fantasy/comedy trick films.

A Swiss tourist knocks the head off a negro waiter.

Men expose a fake medium's tricks and take revenge.

Here we present a picture that simply convulses an audience with laughter. The scene opens in the bedroom of a hotel. A traveler appears, evidently a "little worse for wear." After stretching and yawning, he proceeds to disrobe. He throws off his coat and vest, but to his surprise and anguish, he suddenly finds himself clothed in a continental uniform. He throws this off in anger, but immediately a policeman's costume flies on him. This is in turn thrown aside in great rage and he finds himself clothed in a soldier's uniform. At last, thinking himself successful, he makes for the bed and finds a skeleton complacently resting on his pillow. The bed suddenly disappears, leaving him seated on the floor, and great quantities of bed clothes rain down from the ceiling. The picture ends leaving the audience simply convulsed in laughter.

An up to date idea and a great picture. The professor sits in his laboratory with his newly invented baby incubator. A mother who is anxious for the growth of her child enters, places her baby in care of the professor, who promptly places it in the incubator. An alcohol lamp is lighted under the apparatus, but the professor evidently gets his machine too hot, for in a few seconds the top is opened and the baby taken out. To the great anger of its mother it has grown about two feet in height and has long hair and a full beard.

Groom flirts with a laundress who ducks him in a tub of suds.