The Blue Lamp (1950)
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We follow the daily activities of two London bobbies, veteran George Dixon and rookie Andy Mitchell. Meanwhile, young hoods Tom and Spud plan a series of robberies with Tom's girl Diana, a discontented beauty, as inside worker. But in their second crime, one of our heroes is shot, setting off a citywide manhunt. The killer is clever, but will he outsmart himself?
The Asphalt Jungle (1950)
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'Doc' Riedenschneider, legendary crime 'brain' just out of prison, has a brilliant plan for a million-dollar burglary. To pull it off, he recruits safecracker Louis, driver Gus, financial backer Emmerich, and strong-arm man Dix Handley. At first the plan goes like clockwork, but little accidents accumulate and each partner proves to have his own fatal weakness. In the background is a pervasive, grimy urban malaise.
Criss Cross (1949)
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Romantic, obsessive Steve Thompson is drawn back to L.A. to make another try for Anna, his former wife. However, Anna belongs now to the L.A. underworld. Steve believes he can rescue her, ignoring the advice and warnings of people who would try to save him. He commits himself to a dangerous course of action that quickly takes everyone somewhere unintended.
Hue and Cry (1947)
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Bombay-based Professor Amar Verma lives a middle-class lifestyle with his wife, Shobha, and 6 year old son, Kunal. When a gang-war breaks out between Veljibhai and Chhapan Tikle alias Jimmy, a number of innocent bystanders fall victim, one of whom is Kunal. This devastates the Verma family, with Shobha walking out on Amar, who devotes his life to his students. When he finds out one of his students has a stammering problem, he decides to help her, and finds out that she is the only child of gangster Veljibhai. He meets with Veljibhai, discusses the gang-war scenario, then meets with Chhapan Tikle and gets the gangster to agree on a truce so that he can take Pooja and the rest of the students on a field trip to Bangalore. Amar will soon find out that neither Veljibhai nor Chhapan Tikle have any intention of keeping any truce - and he may well have jeopardized his, Pooja's, as well as the lives of his students...
Screen One (1985)
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Producer Kenith Trodd was part of a 1984 team brought together to study how the BBC should respond to Channel Four's pioneering efforts in making films for both television and theatrical release. The result was a transition from the earlier concept of studio-made plays, such as "Play for Today" and the introduction of the new BBC anthology film series, "Screen One" and "Screen Two," with Trodd's supervision of the initial group of titles in 1985.
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This film is based on a true story about a British teenager who allegedly poisoned family, friends, and co-workers. Graham is highly intelligent, but completely amoral. He becomes interested in science, especially chemistry, and begins to read avidly. Something of a social misfit, he is fascinated by morbid subjects such as poisons and murder. His family environment is intolerable to him and, in particular, his stepmother torments him. He decides to poison those who annoy him, first with antimony and later with thallium. He smugly thinks himself cleverer than all those around him, but nevertheless he is caught and sentenced to 'rehabilitation' at a psychiatric institution. Once there, he undertakes to deceive the new eminent psychiatrist sent there to 'cure' him, thereby securing his release.
Add date: 2021-11-10
Someone does a nasty hatchet job on a San Fransisco big noise and the Assistant D.A. takes charge of the investigation. Through a web of blackmail and prostitution involving the Governor, an old lover of the lawman emerges as a prime suspect and he has to deal with his personal feelings as well as the case.
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Add date: 2022-08-18
Disturbing, dark, low-budget independent film about teen-agers in New York City. The story focuses on Telly (Leo Fitzpatrick), a teen who has a goal to de-flower as many virgins as he can. When one of his old encounters discovers that she is H.I.V.-positive, after only one encounter with a guy, Telly remains undaunted.
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