It's 1964, St. Nicholas in the Bronx. A charismatic priest, Father Flynn, is trying to upend the school's strict customs, which have long been fiercely guarded by Sister Aloysius Beauvier, the iron-gloved Principal who believes in the power of fear-based discipline. The winds of political change are sweeping through the community, and indeed, the school has just accepted its first black student, Donald Miller. But when Sister James, a hopeful innocent, shares with Sister Aloysius her guilt-inducing suspicion that Father Flynn is paying too much personal attention to Donald, Sister Aloysius sets off on a personal crusade to unearth the truth and to expunge Flynn from the school. Now, without a shard of proof besides her moral certainty, Sister Aloysius locks into a battle of wills with Father Flynn which threatens to tear apart the community with irrevocable consequences.

After years of disagreeing on what true happiness, success, and love really are, Dave and Clarice Johnson have finally reached a breaking point in their marriage. When Clarice is hurt in a car accident, the obvious truth that more than just her injuries need immediate attention is exposed. Their odds of making it worsen as Clarice begins to see a physical therapist, and Dave develops a friendship with Julie and her teenage son Bryson. The acceptance and comfort he finds in them stirs his longing for a family and a passionate partner. As temptation tugs at Dave and Clarice pulls farther away, they must confront whether their vows are or are NOT EASILY BROKEN.

David Kepesh is growing old. He's a professor of literature, a student of American hedonism, and an amateur musician and photographer. When he finds a student attractive, Consuela, a 24-year-old Cuban, he sets out to seduce her. Along the way, he swims in deeper feelings, maybe he's drowning. She presses him to sort out what he wants from her, and a relationship develops. They talk of traveling. He confides in his friend, George, a poet long-married, who advises David to grow up and grow old. She invites him to meet her family. His own son, from a long-ended marriage, confronts him. Is the elegy for lost relationships, lost possibilities, beauty and time passing, or failure of nerve?

Frank Castle, the ex-military man whose family was killed by criminals, who became a vigilante known as the Punisher, goes after a whole mob family and gets everyone except enforcer Billy Russoti. He tracks Russoti down and chases him into a vat that is used for crushing bottles. Frank turns on the crusher hoping it would take care of him but it doesn't. He survives but sustains very severe injuries that even with plastic surgery his face looks like a jigsaw puzzle. So he decides to adopt the name Jigsaw. Frank who killed one of Russoti's people who unknown to him is an undercover Fed, decides to pack it in. But when he learns Russoti didn't die and is looking for the money he entrusted to the Fed and will go looking for it at his home which means his family is in danger. So Frank tries to save them. But Russoti wants revenge on Frank so he breaks out his brother who is so crazed that he is committed to an asylum...