Mark Lewis, works as a focus puller in a British film studio. On his off hours, he supplies a local porno shop with cheesecake photos and also dabbles in filmmaking. A lonely, unfriendly, sexually repressed fellow, Mark is obsessed with the effects of fear and how they are registered on the face and behavior of the frightened. This obsession dates from the time when, as a child, he served as the subject of some cold-blooded experiments in the psychology of terror conducted by his own scientist father. As a grown man, Mark becomes a compulsive murderer who kills women and records their contorted features and dying gasps on film. His ongoing project is a documentary on fear. With 16mm camera in hand, he accompanies a prostitute to her room and stabs her with a blade concealed in his tripod, all the while photographing her contorted face in the throes of terror and death. Alone in his room, he surrounds himself with the sights and sounds of terror: taped screams, black-and-white "home ...

A washed-up former child star, forced to do community service at a local megachurch, pretends to be a Christian to land the part of Jesus in their annual Passion Play, only to discover that the most important role of his life is far from Hollywood.

Set in 1971, Kris is sentenced to two years in a rural Borstal.

Frustrated by the hypocrisy they see in their parents, teachers, and the entire school board, an unlikely trio set out to find a common truth and make their voices heard as they revive a defunct school club and take on the world.

Dan Eldon, who was only 22 when he was chased down and killed by an angry mob in Somalia, was one of the youngest photographic stringers in Africa. But his journalistic work, which had appeared in Time and Newsweek, showed only a small part of his talent. Eldon excelled as an artist in his collages, which combined his photographs of Africa with paint, pastiche, pop culture images, advertising, and official documents. The Journey Is the Destination collects pages from the 17 scrapbooks that held his art. Chronicling his work from age 14 through his death at 22, this volume is startling not only in the intensity and thoughtfulness of the pages, but also in the fact that someone so young could have this kind of artistic depth and insight.