Catherine and Rebecca are two Catholic School girls going door-to-door selling Religious paraphernalia in order to pay for their books and education. Things go horribly wrong when they knock on the wrong door in the wrong neighborhood. "Run! Bitch Run!" is a throw back to the classic rape and revenge films like and .

The saga of Times Square Freak Twins Duane and Belail Bradley takes its most bizarre twist yet. It all starts innocently enough when the Bradley boys join kindly doctor Granny Ruth and her family of unique individuals for a road trip through the deep South.. The occasion - Belail's about to become a proud monster father - and no basket is big enough to hold this ungodly brood! But when a pair of warped sheriffs deputies kidnap Belai's babies Granny Ruth and the family strike back. Belial single handedly decimates the local police station with crazed, Terminator like fury - and that's just the beginning. Threatened with the loss of the newest additions to their family, Granny Ruth and the others concoct a delicious revenge against their enemies, climaxing in Belial's futuristic one-on-one with the town Sheriff.

Miguel, a young man with a horribly disfigured face, goes on a rampage at a masquerade party and rapes a girl. He then brutally hacks up the young woman with a pair of scissors. Miguel is institutionalized at a mental asylum for five years. Afterward, he is released into the care of his sister, Manuela. Along with their wheelchair bound mother, they operate a boarding school for young woman, called Europe's International Youth-Club Boarding School of Languages, on the Spanish resort of Costa Del Sol. Miguel is intrigued by Angela, a long-haired brunette, whom he first saw on the train ride from the sanitarium. The creepy Miguel follows her around. Miguel meets with Manuela to request that they resume their incestuous relationship. She reminds him that it was this relationship that made him emotionally unstable five years earlier. She says they cannot because nobody understands them: "Only if we could get rid of everyone...

A man living in rural Wisconsin takes care of his bed-ridden mother, who is very domineering and teaches him that all women are evil. After she dies he misses her, so a year later he digs her up and takes her home. He learns about taxidermy and begins robbing graves to get materials to patch her up, and inevitably begins looking for fresher sources of materials. Based closely on the true story of Ed Gein.

Deborah Ballin is a controversial middle-aged TV journalist, who is campaigning on air on behalf of a battered woman who murdered her abusive husband, claiming justifiable defense against the so-called victim. But her outspoken views championing women's rights incense one of the studio's cleaning staff, closet homicidal psycho (and misogynist) Colt Hawker whose deep seated despising all all things female occurred from seeing his Mother throwing boiling oil in the face of his abusive Father when he was a small child (and who's M.O. is to photograph victims he stabs as they're spasming to death). So much so that he decides there and then to shut her up...PERMANENTLY! Managing to beat her home, he soon dispatches her maid Francine, before turning his rage onto her as she come home (greeting her in only wearing her jewelry and make-up). Despite the brutal injuries he lashes out on her...

A slasher film about a victim of child abuse (Dan Grimaldi) who grows up to become a maniacal construction worker. He stalks women at discos, takes them home, then hangs them upside-down in a special steel-walled room and sets them on fire.

Edward Lionheart (Vincent Price) stars as an actor overlooked for a critics' acting award, despite producing a season of Shakespeare plays. After confronting the Critics' Circle, an attempted suicidal dive into the Thames results in Lionheart being rescued by your typical paraffin/meths/turps swigging tramps. Lionheart then (presumed dead) exacts his grizzly, and quite amusing revenge on the critics who denied him his finest hour.

Young DJ Vantia Block is hosting a music show when two renegade hoodlums phone her and start making trouble. The situation changes rapidly as the kids drive to a passageway and get sawed to pieces by Leatherface while the shocked DJ listens the kids' screams. Local sheriff approaches Block and convinces her to play the recording made from the phone call on radio, hoping that the killers would show up.