A man tours clubs around the globe with his manager and girlfriend. On the eve of their largest album release he is admitted to a psychiatric clinic after overdosing at a gig.

A man is charged with murder. He is Pigoil, the aging stage manager at Chansonia, a music hall in a Paris faubourg. His confession is a long flashback to New Year's Eve, 1935, when he discovers his wife is unfaithful and Galapiat, the local mobster, closes the music hall. Over the next few months, Pigoil loses custody of his beloved son, Jo-Jo, and must find work. Pigoil and his pals take over the Chansonia as a co-op; Galapiat is momentarily benign. Their star is the young Douce, a girl from near Lille for whom Galapiat lusts. She in turn falls in love with Milou, a local Red. There are ups and downs, but mostly ups - but what about Jo-Jo and what about the murder?

Every village has its band of fools, trying to get to the top, following their idols in drug habits, but staying losers till the end of their pathetic days. They all do this in the name of rock & roll. Three disabled rock musicians are looking for a drummer. Dries, a well known writer, seems the right guy for the job, were it not for the fact that his only handicap is that he can't play the drums. He joins the group as a perfect, but evil god walking down his mountain to play with the populace. With the arrival of this infiltrator, personal disputes and family feuds start to jeopardize the band's fragile future. Dries will manipulate them till they are willing to drink each others blood and their only future is written down in many Punk lyrics: "No Future".

The Dukes,(Chazz Palminteri and Robert Davi) a Doo Wop group, were on top of the world at 17, now are struggling for survival in 2008. Their manager (Peter Bogdanovich) is desperately trying to get them work but is met with failure at every turn. Finally pushed to the extreme , they pull a heist only a fool would attempt, which leaves them even more desperate. When all seems lost, they find themselves. Underneath the laughter, "The Dukes" is a film that explores the intricacies of re-defining yourself; not only dealing with lost fame but applies to anyone whoever found themselves at the bottom of the mountain looking up where they once were; and how ,in changing times, to hold onto your true self

Jason Scott Lee (Dragon - The Bruce Lee Story), Korean heartthrob Jang Hyuk (Windstruck, Volcano High)...    »

A ruthless philantrophist. A bhangra rapper. An over-protected prodigy. A reckless actress. A lovelorn businessman. An entrepreneurial yogi. And a Loin King. Enter a roller-coaster world of seven strangers whose lives collide during a singing contest in a small New Jersey town.

Aga, a band singer, returns to Hengchun with frustration. Tomoko is a Japanese model assigned to organize a local warm-up band for the Japanese super star beach concert. Together with other five ordinary Hengchun residents who were not expected to be great or anything, they formed an impossible band.

In GLOBAL METAL, directors Scot McFadyen and Sam Dunn set out to discover how the West's most maligned musical genre - heavy metal - has impacted the world's cultures beyond Europe and North America. The film follows metal fan and anthropologist Sam Dunn on a whirlwind journey through Asia, South America and the Middle East as he explores the underbelly of the world's emerging extreme music scenes; from Indonesian death metal to Chinese black metal to Iranian thrash metal. GLOBAL METAL reveals a worldwide community of metalheads who aren't just absorbing metal from the West - they're transforming it - creating a new form of cultural expression in societies dominated by conflict, corruption and mass-consumerism.

A biopic of punk legend Darby Crash and his band, the Germs.

Recently widowed well-to-do Laura Henderson is at a bit of a loose end in inter-war London. On a whim she buys the derelict Windmill theatre in the West End and persuades impresario Vivian Van Damm to run it, despite the fact the two don't seem to get on at all. Although their idea of a non-stop revue is at first a success, other theatres copy it and disaster looms. Laura suggests they put nudes in the show, but Van Damm points out that the Lord Chamberlain, who licenses live shows in Britain, is likely to have something to say about this. Luckily Mrs Henderson is friends with him.

The title character is a boy whose bizarre skills frighten his caregivers. Due to his ability to contort his body into unnatural positions, he is kept locked in the family basement. With nothing more than a vivid imagination and a pitiful pet dog, he attempts to keep himself entertained.

In Rio, Orfeo is a trolley conductor and musician, engaged to Mira. During Carnival week, he sees Eurydice, who's fled her village in fear of a stalker; it's love at first sight. Her cousin Sarafina, with whom she stays in Rio, is a friend of Orfeo and Mira, so the star-crossed lovers meet again. Later, during the revels, wearing Sarafina's costume, Eurydice dances a provocative samba with Orfeo. Not only is Mira enraged when her rival is unmasked, but she is being stalked by Death: Eurydice is in danger, pursued through noisy crowds and a morgue. Can Orfeo conduct her to safety? Don't look back.

1970s roller-skate jams fuel this coming-of-age comedy, as X and his friends, who rule their local rink, are shocked when their home base goes out of business. Heading over to the Sweetwater Roller Rink, they find their modest talents are, at first, no competition for their trick skaters and pretty girls who follow their every move.

The Knoxville, Tennessee-set film, written by Bronson, is a dark comedy about a father (Knoxville) struggling to keep his once lucrative Tennessee golfing empire intact when his estranged 14-year-old daughter (a gifted musician) is unexpectedly left in his care.

Former high school musical star, Marc Pease, finds himself still living in the past, eight years after graduating.

Samantha's band, the Zettabytes, is meeting with little success, so her friend Roscoe uses his knowledge of technology designed by his father to create a holographic lead singer, Loretta Modern. The band instantly becomes successful, but Samantha begins to feel alienated, Roscoe discovers feelings for Samantha, and Loretta struggles with individuality.

Taking place in pre-war England, aging sisters Ursula and Janet live peacefully in their cottage on the shore of Cornwall. One morning following a violent storm, the sisters spot from their garden a nearly-drowned man lying on the beach. They nurse him back to health, and discover that he is Polish. Communicating in broken German while they teach him English, they learn his name is Andrea and that he is a particularly gifted violinist. His boat was on its way to America, where he is headed to look for a better life. It doesn't take long for them to become attached to Andrea, and they dote on him. Other townspeople, however, have their suspicions, especially when he befriends a German woman, Olga.

This documentary was made three years after Jimi Hendrix's untimely death. At the time it was an example of how a visual biography should be done, but some of the information in it needs revising in the light of new information uncovered over the years. The film contains concert footage spanning the Marquee in 1967 to his last UK performance at the third Isle of Wight festival in 1970; along the way we see classic performances at Monterey (1967), Woodstock (1969), Fillmore East (1969/70), and Berkeley (1970). A double album was released to tie-in with the film, containing the complete performances in the film, along with interviews with people in the film (not necessarily the same interviews). The film is worth seeing for Jimi's performances, and to hear what his contemporaries have to say about him (Eric Clapton, Mitch Mitchell, Lou Reed, Mick Jagger, Pete Townsend, and others).