Paul and Eddie have just begun previews for the new Off-Broadway musical "Adam and Steve Just the Way God Made 'Em." Their lives strangely mirror the characters they are playing. Paul is looking for the perfect man and Eddie is dealing with how his sexuality and faith can mix. After yet another disastrous dating experience, Paul has an epiphany. He is done dating and just wants to be a slut like the sexy chorus boys that share his dressing room. Eddie has to tell his parents that he's gay and is starring in a show that calls the bible the "Breeder's Informational Book of Living Examples". Eddie comes out to his family and Paul goes on Manhunt. Eddie's parents are destroyed by the news and Paul can't even have a good one-night stand. But after musical numbers with scantly clad tap dancing angels, a retelling of Genesis, tele-evangelists, a camp that attempts to turn gay kids straight...

The greatest cultural accomplishments in history have never been the result of the brainstorms of marketing men, corporate focus groups, or any homogenized methods; they have always happened organically. More often than not, these manifestations have been the result of a few like-minded people coming together to create something new and original for no other purposethan a common love of doing it. In the 1990s, a loose-knit group of American artists and creators, many just out of their teens, began their careers in just such a way. Influenced by the popular underground youth subcultures of the day, such as skateboarding, graffiti, street fashion and independent music, artists like Shepard Fairey, Mark Gonzales, Spike Jonze, Margaret Kilgallen, Mike Mills, Barry McGee, Phil Frost, Chris Johanson, Harmony Korine, and Ed Templeton began to create art that reflected the lifestyles they led. Many had no formal training and almost no conception of the inner workings of the art world...

Two shady concert promoters (Cube and Epps) get into hot water when their chance to book a superstar rapper goes awry.

Follows the plight of real-life dancers as they struggle through auditions for the Broadway revival of "A Chorus Line". Also investigates the history of the show and the creative minds behind the original and current incarnations.

A real estate developer goes to his 25th high school reunion without his wife, and finds his old teenage band playing. They get him up on stage for a couple of songs, and convince him come to a rehearsal. His wife is outraged that he played. His daughter thinks it's kind of cool. His Mother, in a retirement home, encourages him to enjoy life. He feels some temporary relief from the pressures of business complexities and the stress of marriage tensions. The band gets booked at a popular bar, which leads to a last minute booking to open for a reunion tour, with the possibility of additional tour dates. But the band has internal conflicts. He faces a tough decision to give it a shot even though it will affect his marriage, his family, particularly his daughter, and his business.