Rawhead Rex (1986)
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Add date: 2012-02-10
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On a vacation in France from his nondescript job and life, John Barratt encounters a titled but impoverished French nobleman who looks exactly like him. The nobleman gets John drunk, and switches places with him to get a breather from his failing business and too-complicated life. John tries to convince everyone he is not whom they think he is, but he begins to get more and more involved with the family, including an unhappy wife, domineering mother, lonely but talented young daughter, bitter spinster sister and the expected mistress. As John gets to know them he feels he can help them with their problems, but is also becoming used to his borrowed life, which has given him a purpose for the first time.
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Returning to his family's manor house on the lonely moors after his father dies under mysterious circumstances, Sir Henry Baskerville is confronted with the mystery of the supernatural hound that supposedly takes revenge upon the Baskerville family. The famous detective Sherlock Holmes and his assistant Dr. Watson are brought in to investigate.
Imago mortis (2009)
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In the 1600s, long before the invention of photography, a scientist named Girolamo Fumagalli was obsessed with the idea of reproducing images. He discovered that by killing a victim and removing the victim's eyeballs, it was possible to reproduce on paper the last image imprinted on that person's retinas. He named this technique 'thanatography'. Today, the same kind of gruesome ritual and abominable crime recurs within the walls of an international school of cinema.
Add date: 2015-10-10
The Long Arm (1956)
Add date: 2012-02-10
The Blue Lamp (1950)
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We follow the daily activities of two London bobbies, veteran George Dixon and rookie Andy Mitchell. Meanwhile, young hoods Tom and Spud plan a series of robberies with Tom's girl Diana, a discontented beauty, as inside worker. But in their second crime, one of our heroes is shot, setting off a citywide manhunt. The killer is clever, but will he outsmart himself?
Screen One (1985)
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Producer Kenith Trodd was part of a 1984 team brought together to study how the BBC should respond to Channel Four's pioneering efforts in making films for both television and theatrical release. The result was a transition from the earlier concept of studio-made plays, such as "Play for Today" and the introduction of the new BBC anthology film series, "Screen One" and "Screen Two," with Trodd's supervision of the initial group of titles in 1985.
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