Offers audiences an up-close encounter with the Lions and Tigers of the Ocean. Come face-to-face with a multitude of shark species, including the Great White, Hammerhead, and Whale Shark. Witness them as they really are: not wicked man-eating creatures, but wild, fascinating and endangered animals that have been in existence a million years before dinosaurs roamed the Earth. Join a team of ocean explorers on a round-the-globe expedition documenting the life of the ultimate predator.
A man stands outside an apartment building, lighting a cigarette. He goes inside. As he rings the bell at the 4th floor, a woman answers and lets him in. The alarm rings. The man and woman wake up. He takes out the garbage. She makes breakfast. After breakfast, he packs his suitcase and leaves. He goes outside. He lights a cigarette. After that, he goes inside. He rings the bell at the 8th floor. A woman answers and lets him in. A week later. The alarm rings. The man and woman wake up. He takes out the garbage. She prepares him breakfast. He goes back inside and rings the bell at the 4th floor...
The MGM Crime Reporter introduces James Hollister, the Police Chief of a metropolitan city. He mentions that what may seem like the smallest of crimes or no crime at all may have the biggest negative impact of society, the illegal distribution of slot machines being one such example. Changing the names to protect the innocent, he tells the story of mob boss Rocky Fallon who earned much income for his illegal activities from earnings from slot machines, where the insertion of a nickel here and a nickel there added up to several thousand dollars profit per day. It was such an important component of his business that he inserted a mole into the mayor's office, the mayor who vowed as part of his election to get tough on crime. People who were not even remotely associated with the slot machines, such as dry cleaning business owner Frank Watson, whose life was irrevocable changed for the worse by Rocky, who again could not have done what he did without that slot machine revenue.
Celestial Avenue (2009)
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A man, accompanied by a dog, struggles through snow on a mountain side. We see film stock blister; drawn square shapes appear. Then, we see an infant's face. The images of struggling climber, baby, blurred film stock, large snow flakes, and what may be microscopic details of matter are superimposed on each other, one dominating the frame briefly to be replaced by another. As the man falls in the snow and tries to regain his feet, the baby continues to appear, first with eyes closed. Alternately, images rush by - montages of paper cutouts and life under a microscope.
As dusk approaches and workers stream out of the city, thousands of individuals are about to begin their day's work. They shuffle through subterranean car parks, sprawling shopping centers and soaring office towers, leaving behind a trail of gleaming floors and emptied waste paper baskets. They are the cleaners - an invisible and underpaid army whose necessary work goes unnoticed. In LESSONS FROM THE NIGHT we spend a night with Maia, who reflects on life, work and toilet bowls as we follow her nightly cleaning round through silent, empty spaces. As she works, she reveals some of the secrets of the city - the traces of human presence that we leave behind each day - and of her former life in Bulgaria. LESSONS FROM THE NIGHT is both homage to the menial worker, and an existential film about cleaning.
Add date: 2015-10-09
From a murky landscape, a wooded mountain emerges. We watch the sun. We see a bearded man climbing up the mountain through the snow. He carries an ax, and he's accompanied by a dog. His labors continue. There is no soundtrack. Images rush past - water, trees, and surfaces too close up to distinguish. He struggles. A fire burns. Nature, in long shots and magnified, is formidable and silent. It's tough going; he carries on. In a capillary, blood flows.
Sexual intimacy. Three kinds of images race past, superimposed on each other sometimes: two bodies, a man and a woman's, close up, nude - patches of skin, wisps of hair, glimpses of a face and genitalia; strips of celluloid with lines and squiggles scratched on them; and, close-up shots of what appear to be the insides of living bodies - a heart beating, muscle and sinew and tissue wet with fluids. The exterior and interior of desire.
A creation myth realized in light, patterns, images superimposed, rapid cutting, and silence. A black screen, then streaks of light, then an explosion of color and squiggles and happenstance. Next, images of small circles emerge then of the Sun. Images of our Earth appear, woods, a part of a body, a nude woman perhaps giving birth. Imagery evokes movement across time.
Late at night, a drunken couple walk into a fenced grassy area with a tennis court. They start sex games on the umpire's chair, interrupted by the court lights going on and loud sounds coming over the public address system. They realize the gate they entered is now locked. They yell for help over the din of the speakers. She runs for the opposite gate; it's locked as well. He gives her a boost so she can climb the fence. Is something coming?
Je t'aime John Wayne (2001)
In London, a young man fancies himself Jean Paul Belmondo. His flat is decorated with movie posters, he mutters in French, smokes cigarettes, dresses as if he's in '60's Paris. His mother calls - to her he's Trevor - and reminds him to pick up his younger sister, Minne. He meets up with her; she's accompanied by Tim, a friend. Trevor takes them to a French film. On the way out, he overhears a couple talking. She likes the film, her date doesn't. In character, Trevor punches out the guy. The young woman runs off and Trevor chases her. Has Trevor as Belmondo already pictured this scene?
Catwoman (2011)
Add date: 2012-02-10
The moon tells us he's never seen anything like the story of the loveless couple in a castle by the sea. The queen has cut off her head and dispatches her squeeze-box playing husband, who hangs out in a coffin, to find her a new head. He complies, sailing off to a city on a mountain, bringing back one, then two, then four heads. She tries each one on, and her advisor, a sort of witch doctor, advises against each. What will the husband do?
The Intruder (2010)
Cassie and Alex have a perfect relationship, or so Cassie thinks. Alex has been trying to break up with her, but she just keeps dismissing his attempts as being funny. Alex lives with his sister Sarah. One evening, Sarah hears a noise in the house, sounding like an intruder. She goes into Alex's room to tell him and Cassie. They too hear the noise, and decide to lock the door and hide until the intruder leaves. They call the police, but are unable to get through due to the circuits being busy. As they begin to realize that the intruder is not leaving any time soon, they scramble to find a way out. As their options are slimming, they discover who the intruder is, and realize exactly how dangerous he really is. This sets them into a panicked frenzy, as the intensity of their situation escalates by the minute. Will they make it out alive, or will this be their last time on earth, because of The Intruder.
El intruso (2010)
Frischluft-Therapie (2009)
Road to St. Tropez (1966)
The Legend of Aerreus Kane (2003)
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Add date: 2012-04-22
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This documentary goes to coral reefs of the Bahamas and the waters of the Kingdom of Tonga for a close encounter with the surviving tribes of the ocean: wild dolphins and belugas, the love of a Humpback mother for her newborn calf, the singing Humpback males, an orca the mighty King of the ocean, and the gentle manatee. Little-known aspects of these creatures capable of sophisticated communication and social interaction. Documents the life of these graceful, majestic yet endangered sea creatures.
The Confederate Ironclad (1912)
During the US civil war, Elinor, a pretty northern girl, comes south to visit her aunt. Little does anyone know, but she's a spy. Lt. Yancey, who's close to being engaged to the fetching and resourceful Rose, is gallant enough to show the Yankee guest around, including a walk down a hidden creek where a gunboat is built and awaits powder. Elinor sends this intelligence north, and the Blue Coats attack. Rose and Yancey have one chance to save the day: to bring a train of gun powder to the Confederate Ironclad so that she can fight back. Will they make it?
Against a backdrop of bizarre shapes and textures, a small organic figure gives birth to the letters of the alphabet while a mixture of children's voices and an operatic tune are singing out. The figure's head collapses causing blood to rain on a girl while she lays in her bed, resulting in the girl violently vomiting blood herself.
Window Water Baby Moving (1962)
On a winter's day, a woman stretches near a window then sits in a bathtub of water. She's happy. Her lover is nearby; there are close ups of her face, her pregnant belly, and his hands caressing her. She gives birth: we see the crowning of the baby's head, then the birth itself; we watch a pair of hands tie off and cut the umbilical cord. With the help of the attending hands, the mother expels the placenta. The infant, a baby girl, nurses. We return from time to time to the bath scene. By the end, dad's excited; mother and daughter rest.
The Stars Are Beautiful (1974)
We move back and forth between scenes of a family at home and thoughts about the stars and creation. Children hold chickens while an adult clips their wings; we see a forest; a narrator talks about stars and light and eternity. A dog joins the hens and the family, while the narrator explains the heavens. We see a bee up close. The narrator suggests metaphors for heavenly bodies. Scenes fade into a black screen or dim purple; close-ups of family life may be blurry. The words about the heavens, such as "The stars are a flock of hummingbirds," contrast with images and sounds of real children.
We see a film negative of a nude couple embracing in bed. Then, back in regular black and white images, we see them alone and together, clothed, at home. It's night, she sees his reflection in the window, she closes the drapes. After sex, again in a black and white negative, they sit, smoke, have coffee. They kiss, she smiles. They light candles. The images are often quick, the camera angles occasionally are off kilter; the room is sometimes dark and sometimes lit, as if lit by the rotating of a searchlight. The images again appear in negative when they return to bed.
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