A boy finds a strange creature on a beach, and decides to find a home for it in a world where everyone believes there are far more important things to pay attention to.

Offers audiences an up-close encounter with the Lions and Tigers of the Ocean. Come face-to-face with a multitude of shark species, including the Great White, Hammerhead, and Whale Shark. Witness them as they really are: not wicked man-eating creatures, but wild, fascinating and endangered animals that have been in existence a million years before dinosaurs roamed the Earth. Join a team of ocean explorers on a round-the-globe expedition documenting the life of the ultimate predator.

Mosa explores a young woman struggle after being attacked in South Africa. Now in London, she takes on new opportunities to start a new life but after feeling objectified once again, she breaks through and finally decides to live in her own terms.

A man stands outside an apartment building, lighting a cigarette. He goes inside. As he rings the bell at the 4th floor, a woman answers and lets him in. The alarm rings. The man and woman wake up. He takes out the garbage. She makes breakfast. After breakfast, he packs his suitcase and leaves. He goes outside. He lights a cigarette. After that, he goes inside. He rings the bell at the 8th floor. A woman answers and lets him in. A week later. The alarm rings. The man and woman wake up. He takes out the garbage. She prepares him breakfast. He goes back inside and rings the bell at the 4th floor...

The MGM Crime Reporter introduces James Hollister, the Police Chief of a metropolitan city. He mentions that what may seem like the smallest of crimes or no crime at all may have the biggest negative impact of society, the illegal distribution of slot machines being one such example. Changing the names to protect the innocent, he tells the story of mob boss Rocky Fallon who earned much income for his illegal activities from earnings from slot machines, where the insertion of a nickel here and a nickel there added up to several thousand dollars profit per day. It was such an important component of his business that he inserted a mole into the mayor's office, the mayor who vowed as part of his election to get tough on crime. People who were not even remotely associated with the slot machines, such as dry cleaning business owner Frank Watson, whose life was irrevocable changed for the worse by Rocky, who again could not have done what he did without that slot machine revenue.

Kath is looking for love in all the wrong places. In Chinatown in the middle of a less than successful blind date, she overhears the soulful Cantonese singing of Ah Gong. Kath is intrigued. Is there more to Ah Gong than meets the eye?

A man, accompanied by a dog, struggles through snow on a mountain side. We see film stock blister; drawn square shapes appear. Then, we see an infant's face. The images of struggling climber, baby, blurred film stock, large snow flakes, and what may be microscopic details of matter are superimposed on each other, one dominating the frame briefly to be replaced by another. As the man falls in the snow and tries to regain his feet, the baby continues to appear, first with eyes closed. Alternately, images rush by - montages of paper cutouts and life under a microscope.

A day in the life of an eight-year-old soccer fan who has to come to terms with living in a strange new town and the loss of his father.

As dusk approaches and workers stream out of the city, thousands of individuals are about to begin their day's work. They shuffle through subterranean car parks, sprawling shopping centers and soaring office towers, leaving behind a trail of gleaming floors and emptied waste paper baskets. They are the cleaners - an invisible and underpaid army whose necessary work goes unnoticed. In LESSONS FROM THE NIGHT we spend a night with Maia, who reflects on life, work and toilet bowls as we follow her nightly cleaning round through silent, empty spaces. As she works, she reveals some of the secrets of the city - the traces of human presence that we leave behind each day - and of her former life in Bulgaria. LESSONS FROM THE NIGHT is both homage to the menial worker, and an existential film about cleaning.

Stan Brakhage's artistic view of the cosmos.

A misguided orphan struggles to find a place for himself.

From a murky landscape, a wooded mountain emerges. We watch the sun. We see a bearded man climbing up the mountain through the snow. He carries an ax, and he's accompanied by a dog. His labors continue. There is no soundtrack. Images rush past - water, trees, and surfaces too close up to distinguish. He struggles. A fire burns. Nature, in long shots and magnified, is formidable and silent. It's tough going; he carries on. In a capillary, blood flows.

Sexual intimacy. Three kinds of images race past, superimposed on each other sometimes: two bodies, a man and a woman's, close up, nude - patches of skin, wisps of hair, glimpses of a face and genitalia; strips of celluloid with lines and squiggles scratched on them; and, close-up shots of what appear to be the insides of living bodies - a heart beating, muscle and sinew and tissue wet with fluids. The exterior and interior of desire.

A creation myth realized in light, patterns, images superimposed, rapid cutting, and silence. A black screen, then streaks of light, then an explosion of color and squiggles and happenstance. Next, images of small circles emerge then of the Sun. Images of our Earth appear, woods, a part of a body, a nude woman perhaps giving birth. Imagery evokes movement across time.

Late at night, a drunken couple walk into a fenced grassy area with a tennis court. They start sex games on the umpire's chair, interrupted by the court lights going on and loud sounds coming over the public address system. They realize the gate they entered is now locked. They yell for help over the din of the speakers. She runs for the opposite gate; it's locked as well. He gives her a boost so she can climb the fence. Is something coming?

A girl tells the story of her life and hopes for the future.

Eddie spends her pocket money collecting firecrackers, to prepare for Cracker Night. This key moment will live on in Eddie's memory, transforming her for life.

In London, a young man fancies himself Jean Paul Belmondo. His flat is decorated with movie posters, he mutters in French, smokes cigarettes, dresses as if he's in '60's Paris. His mother calls - to her he's Trevor - and reminds him to pick up his younger sister, Minne. He meets up with her; she's accompanied by Tim, a friend. Trevor takes them to a French film. On the way out, he overhears a couple talking. She likes the film, her date doesn't. In character, Trevor punches out the guy. The young woman runs off and Trevor chases her. Has Trevor as Belmondo already pictured this scene?

Girl cleaning windows of an Oxford St store catches the eye of a guy in the street who larks about much to her amusement

Catwoman attempts to track down a mysterious cargo shipment that is linked to a Gotham City crime boss called Rough Cut.

The moon tells us he's never seen anything like the story of the loveless couple in a castle by the sea. The queen has cut off her head and dispatches her squeeze-box playing husband, who hangs out in a coffin, to find her a new head. He complies, sailing off to a city on a mountain, bringing back one, then two, then four heads. She tries each one on, and her advisor, a sort of witch doctor, advises against each. What will the husband do?