A couple expecting their first child discover an unnerving difference between themselves and the couple living in the flat below them who are also having a baby.

Pandemic is set in the near future, where a virus of epic proportions has overtaken the planet. There are more infected than uninfected, and humanity is losing its grip on survival. Its only hope is finding a cure and keeping the infected contained. Lauren (Rachel Nichols) is a doctor, who, after the fall of New York, comes to Los Angeles to lead a team to hunt for and rescue uninfected survivors.

After seeing a UFO, a man and his skeptical wife are forced to confront their relationship issues.

A bored young woman in a sleepy community called Spearfish starts receiving photographs of brutally murdered young women. Are they real or staged? The culprit is either a serial killer or some creep with a sick sense of humour.

150 years after she was raped and murdered on her wedding day, the Vengeful Spirit of Aiyana The Apache Warrior Princess comes back and possesses the body of a young bride that faced the same death as her. Fueled with unseen rage, The Bride rains down her gruesome vengeance upon those who took away her life and her true love.

As a writer stymied by past success, writers block, substance abuse, relationship problems and a serious set of father issues, Elliott's cracked-out chronicle of a bizarre murder trial amounts to less than the sum of its parts. Not long into the 2007 trial of programmer Hans Reiser, accused of murdering his wife, the defendant's friend Sean Sturgeon obliquely confessed to several murders (though not the murder of Reiser's wife). Elliott, caught up in the film-ready twist and his tenuous connection to Sturgeon (they share a BDSM social circle), makes a gonzo record of the proceedings. The result is a scattered, self-indulgent romp through the mind of a depressive narcissist obsessed with his insecurities and childhood traumas.