In London, a young man fancies himself Jean Paul Belmondo. His flat is decorated with movie posters, he mutters in French, smokes cigarettes, dresses as if he's in '60's Paris. His mother calls - to her he's Trevor - and reminds him to pick up his younger sister, Minne. He meets up with her; she's accompanied by Tim, a friend. Trevor takes them to a French film. On the way out, he overhears a couple talking. She likes the film, her date doesn't. In character, Trevor punches out the guy. The young woman runs off and Trevor chases her. Has Trevor as Belmondo already pictured this scene?

Eddie spends her pocket money collecting firecrackers, to prepare for Cracker Night. This key moment will live on in Eddie's memory, transforming her for life.

A girl tells the story of her life and hopes for the future.

Set in the early 1950's, during the Stalin's Personality Cult. The story opens in a provincial town. Tomek's father, a former member of the Home Army is arrested so the mother is left with the task of raising two kids alone. The neighbor upstairs commits suicide when her husband is also arrested and transported to the prison camp. It's winter so the kids keep their hands warm at school by hand-beating themselves. The teachers at school are mean, narrow minded idealists, When they ask the kids who goes to church on Sundays, the whole class stands up to defeat the purpose of the propaganda lesson. Tomek is sent to the training school in the summer. There he absorbs most of the ideology pumped into his head, and when his father is released from prison he finds another boy he has left.

Late at night, a drunken couple walk into a fenced grassy area with a tennis court. They start sex games on the umpire's chair, interrupted by the court lights going on and loud sounds coming over the public address system. They realize the gate they entered is now locked. They yell for help over the din of the speakers. She runs for the opposite gate; it's locked as well. He gives her a boost so she can climb the fence. Is something coming?

A creation myth realized in light, patterns, images superimposed, rapid cutting, and silence. A black screen, then streaks of light, then an explosion of color and squiggles and happenstance. Next, images of small circles emerge then of the Sun. Images of our Earth appear, woods, a part of a body, a nude woman perhaps giving birth. Imagery evokes movement across time.

Sexual intimacy. Three kinds of images race past, superimposed on each other sometimes: two bodies, a man and a woman's, close up, nude - patches of skin, wisps of hair, glimpses of a face and genitalia; strips of celluloid with lines and squiggles scratched on them; and, close-up shots of what appear to be the insides of living bodies - a heart beating, muscle and sinew and tissue wet with fluids. The exterior and interior of desire.

The story of two young Bahamian men who fall in love with each other and portrays the homophobia of the Bahamian society.

From a murky landscape, a wooded mountain emerges. We watch the sun. We see a bearded man climbing up the mountain through the snow. He carries an ax, and he's accompanied by a dog. His labors continue. There is no soundtrack. Images rush past - water, trees, and surfaces too close up to distinguish. He struggles. A fire burns. Nature, in long shots and magnified, is formidable and silent. It's tough going; he carries on. In a capillary, blood flows.

When two Hong Kong buddies become rivals for the same woman, their friendship ends, and they join rival tong gangs. Later, a tong boss cleverly conspires to use a motion picture company to cover illegal drug trafficking: Actresses are sent to Amsterdam for film roles not realizing that they carry cocaine shipments. Once in Holland, the actresses are sold into prostitution. Soon the faux film company shanghais the woman who put the two friends at odds. To save their beautiful damsel, the two ex-buddies must join forces and go on the offense.