Jon Porter returns to his hometown after the sudden and bizarre death of his mother. He hopes to leave as soon as the funeral is over but it's too late. The sinister forces that caused his sister's brutal murder 30 years ago are back. Jon knows the nightmare can't continue. He must stand up to his fear and exorcise the demons who have risen again to take posession of his beautiful teenage daughter - body and soul.
The Colditz Story (1955)
Colditz castle was used by the Nazis to hold the "bad boys", (those who regularly tried to escape from other camps). At all times the guards outnumbered the prisoners and, because some political prisoners were also held there they were *very* strictly monitored. But if you put all those people in one place and they're all trying to escape, well ...
Britain's first animated feature, which, despite the title and Disney-esque animal animation, is in fact a no-holds-barred adaptation of George Orwell's classic satire on Stalinism, with the animals taking over their farm by means of a revolutionary coup, but then discovering that although all animals are supposed to be equal, some are more equal than others...
Fled (1996)
Dodge is a computer hacker serving a prison term; Piper is a tough guy. They end up chained together, and flee during a chain-gang escape attempt that goes bad. An adventure plot ensues, involving a missing floppy disk, an attractive woman that assists them, a sinister Federal marshal, an honest cop, and the Cuban mafia.
A bunch of young and impulsive space cadets make their first real flight in space and realize that the attack they suffered wasn't a training mission. They face the Enemy alone and have the chance to save the world, and maybe to prevent the war? Can the cadets conquer the more experienced, stronger and much more evil enemy?
The Temptations (1998)
Divine Trash (1998)
The life and times of Baltimore film maker and midnight movie pioneer, John Waters. Intercut with a 1972 interview of Waters are clips from his first films and recent interviews with his parents, his brother, Divine's mom, actors and crew, other directors, film critics, a film curator, psychologists, and Maryland's last censor, who shudders at the memory of Waters's pictures. Also included is footage of Waters making his early movies, culminating in an up-close and in-depth look at Pink Flamingos: the script, the set, the filming conditions, its editing, its distribution, and its impact. In sweet ways, this documentary is also a celebration of Divine (1945-1988).
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