In the Hands of the Gods is the true story of five young British freestyle footballers journey across the Americas to Argentina in the hope of meeting their hero...    »

A filmmaker (van den Driessche) holds a series of boundary-pushing auditions for his project about female pleasure.

Seh-hee and Ji-woo have dated for two years; jealousy consumes her. She worries he will tire of her face. Then, she disappears. Telling no one, she goes to a plastic surgeon for a new face. Ji-woo has no idea where she is, although when he does respond to other women, someone unseen intervenes. Then, he meets See-hee, and although he tells her he misses Seh-hee, this new relationship blossoms into love. They talk at the same coffee house, visit the same sculpture park, and pose for the same photographs he did with Seh-hee. We know they are the same woman. Has this new face and renewed love made her happy? And what will Ji-woo do when he learns the truth? Is losing face losing self?

A coming of age story about an inner-city youth raised by a hardworking single mother. When his dream of becoming a basketball player fails to materialize, he finds himself employed in a supermarket. After his mother is tragically gunned down, Clarence (played by Jackson) is consumed by revenge and takes up a life of crime in order to support his younger brother.

In 1911-12, the Romanian movie director Grigore Brezianu and the financial tycoon Leon Popescu made together the 2 hours long movie "Romania's Independence" - an as faithful as possible screen adaptation of the real Independence War that had been fought in 1877. Now, "Restul e tacere" tells us, in a loose and half-fictionalized way, the story of this movie making.

Charlyne Yi embarks on a quest across America to make a documentary about the one subject she doesn't fully understand: Love. Michael Cera becomes the object of her affection. Weaving together reality and fantasy, Paper Heart combines elements of documentary and traditional storytelling to get at modern romance.

Quick Gun Murugun is a western spoof with attitude, featuring outlandish songs, outrageous melodrama and crazy action sequences including a classic duel in a traffic jam. The film tells the story of Quick Gun Murugun - a South Indian karmic cowboy whose duty is to protect and cows. When faced with a world-conquering arch villain restaurant owner who wants to create the ultimate McDosa chain using beef, Quick Gun enters into an epic battle of vegetarianism vs. non-vegetarianism that spans time and space, from a small South Indian village to an Indian heaven and then finally to a cosmopolitan Mumbai across 15 years.

1942, Nanjing (Nanking). Following a series of assassination attempts on officials of the Japanese-controlled puppet government, the Japanese spy chief gathers a group of suspects in a mansion house for questioning. A tense game of "cat and mouse" ensues as the Chinese code-breaker attempts to send out a crucial message while protecting his/her own identity.

A father's love for his child is unconditional, a bond that can't be broken. But sometimes government bureaucracy can interfere. Li Wu-hisung lives in a harbor zone in Taiwan with his small daughter. He doesn't have a job, so he takes on risky tasks on boats to earn money. When he tries to do the right thing and enroll his daughter in a school, the government decides it's in the child's best interest to remove her from his care. He does everything he can to get her back, leading to a desperate standoff in front of the media and the world. Based on a true story, it conveys a quest of love that knows no bounds.

Ann Hui's darkly realistic Night and Fog starts at the end of the story: a man murders his wife and, based on statements by unreliable witnesses, the film goes on to investigate how things could have got this far and what kind of man was able to kill his family; questions that almost inevitably remain unanswered. Night and Fog, named after Nuit et brouillard (1955), Alain Resnais' documentary about concentration camps, looks at the difficult problem of domestic violence. An elderly man from Hong Kong takes a wife from outside the city and goes on to neglect and abuse the woman. Ann Hui's cool registering camera is juxtaposed with flashbacks within flashbacks and dream sequences, just as in her earlier film, Song of the Exile (1990).