This movie is a declaration of love to cinema that is used as a metaphor for the universe itself. We are the films and God is projecting them, including this one with Rachel and Leopoldo, who in a former life literally co-invented cinema as an assistant of named .

Ray is young, charming, successful and the owner of a prosperous architect company. However, he has recently gone through a very painful divorce. His friends try to cheer him up by showing him the positive sides of being single but for Ray marriage and stability is just too important. But when he meets Lena his gloom is quickly forgotten. She is beautiful, sensual, mysterious and he is drawn to her like a moth to a candle. They marry quickly, have their first child and Ray lives in a total bliss. But then strange incidents occur which shed some light on Lena's background. Ray slowly realizes that he hardly knows anything about her at all. Who has he really married?

A fragile border separates our world from the realm of darkness, where nightmarish creatures await in the shadows. Only one thing is standing in their way: a secret order of priests, who devote their souls to protect this border. They are the 'Deus Irae'.

The owner of a Waxmuseum needs for three of his models stories to be told to the audience. For that reason he has hired a writer, who after one look athe owner's pretty daughter, starts writing stories featuring the models, the daughter and himself. In the first, he is a baker, married to the girl, who is a little bit too much flirting with the customers, among them the wezir of sultan Harun Al-Rashid, who has just ordered his execution because the smell from the bakery is drifting to his palce, yet Harun Al-Rashid wants to meet the beautiful girl himself, while an angry baker is trying to get the Sultan's whishing ring to proof he's not a weakling... The second story is about Tzar Ivan the Terrible who likes watching people die together with his court-chemist. When he orders the execution of the chemist, the chemist thinks of a nice revanche, but till the revanche works, a nobleman is murdered...

As the narrator invites us to explore the horrors of an insane mind, a young woman wakes from a nightmare in a cheap hotel room. We follow her through the skid-row night and encounters with an abusive husband; a wino; a pimp and the rich man he panders for; a flashback to her traumatic childhood; violence; pursuit through dark streets; dementia. Filmed in film-noir style throughout; only the narrator speaks.

Architect Walter Craig, seeking the possibility of some work at a country farmhouse, soon finds himself once again stuck in his recurring nightmare. Dreading the end of the dream that he knows is coming, he must first listen to all the assembled guests' own bizarre tales.

A neurotic housewife named Sally and her business exec husband move into Sally's family house, a spooky two story Victorian mansion. When Sally starts the redecorating along with her pompous decorator she comes across a locked room in the house. After arguing with the handyman who insists she should leave the room locked, she finally gets the key. But once she opens her father's old study and has the bricks from the fireplace removed, strange things begin to happen. Sally begins to see small creatures everywhere, but no one will believe her. Her husband dismisses her as neurotic and her friend thinks Sally may be losing her mind. But things take a deadly serious turn when the decorator trips at the top of the stairs and falls to his death. Sally sees a rope lying across the place where he tripped, but when she picks it up to take it, a horrifying little creature pulls it from her grasp. Is she crazy? Or has Sally released demons in the house, demons her father summoned?