A hunter dressed in black. This cowboy-hat-wearing samurai-sword-wielding Priest is on a quest for blood. Vampire blood. He's out for revenge on a "clique" of four vampires who are traveling across country in search of "pure blood." The human blood stream has become polluted by drugs, alcohol, Aids, Diabetes, anti-depressants, cigarettes, anything that changes the blood even a small amount makes it undrinkable for Vampires, who, like hi-performance automobiles need "hi test" fuel= Blood in order to survive. This has started a sort of underground civil war between various groups of vampires and vampires themselves have mutated due to the pollution of their life blood. Live Evil is what is written on playing cards left behind on the bodies of dead vampires that this mysterious Priest/Hunter leaves in his wake as he gets closer and closer to our main group of vampires...

A documentary on the world's water crisis.

A dysfunctional family of adult film stars reunites for a memorial porn shoot following the death of legendary producer Mo Saltzman. Along the way, the film's hapless director must contend with dueling divas, bickering couples, emotionally-scarred tag-team brothers, and a dominatrix with low self-esteem. Given its all-star cast and lofty pedigree, the film should be the greatest porno of all time.

Agnes Jaoui plays a local political candidate Agathe Villanova, who returns to her childhood home in the south of France in order to help her sister Florence (Pascale Arbillot) sort through their recently deceased mother's belongings. While she's there, the son (Jamel Debbouze as Karim) of family maid (Mimouna Hadji) takes advantage of her presence and attempts to interview her as part of a documentary about successful women that he's undertaken with his film school teacher, Michel (co-writer Jean-Pierre Bacri). However, Michel's intentions aren't quite what they seem, as he's having an affair with Florence and hoping to persuade her to leave her husband. Meanwhile, Karim finds his own marriage threatened when his attractive hotel co-worker (Florence Loiret-Caille) declares an interest in him.

Separated from her incarcerated husband Bill (Hinds), Trish (Janney) is about to be married again. Bill is a pedophile, so Trish couldn't be more excited to have Harvey (Lerner), a "normal" father figure for her two sons. But when Bill is released from prison and the boys finally meet their future stepdad, the family is forced to decide whether to forgive or to forget. Trish's sister, the virginal, angelic Joy (Henderson), is also haunted by ghosts of lovers past. On leave from her degenerate husband, Allen (Williams), and her job at a New Jersey correctional facility, Joy unwittingly leaves behind a trail of shame and exposed secrets wherever she goes. In one of the film's most stylized sequences, the image of Joy walking the dark streets of Miami in her nightgown maintains her innocence against a backdrop of self-affliction and desire.

The plot is based on a true story that happened in the late 40's in a small village in Uruguay. The film focuses on Laura, who, second by second, intends to leave a house which hides an obscure secret, unharmed. Laura and her father Wilson settle down in a cottage they have to renew since its owner will soon put the house up for sale. They will spend the night there and repair the following morning. Everything seems to go smoothly until Laura hears a sound that comes from outside and gets louder and louder on the upper floor of the house. Wilson goes up to see what is going on while she remains downstairs on her own, waiting for her father to come down.

Black Ops operative Malcolm Gray returns home after a botched mission in Eastern Europe. Holed up in a Brooklyn motel room, he is torn between retribution and personal salvation as he mentally unravels. When the walls close in, his story may be all he can leave behind.

The story of the latest week on the earth before the announce of the landing of an extraterrestrial society on earth seen by the eyes of a misogynist man with only the desire solitude and routine.

The struggles of Mary and her husband adjusting to retirement.

In post-Katrina New Orleans, a disgraced detective encounters the ghost of a murdered woman who wants to help him identify her killer.

A beautiful seductive fairy makes gentle winged creatures appear.

A spider captures the Queen of the Bees.

A sorcerer draws signs on the sand making charming young women.

In a strange grotto deep in the bowels of the earth a coffin uprights itself, dances, then opens, and out steps a demonic magician with skeletal face, horns, and cape. He wraps two women (who appear to be in a trance) in fabric, levitates them, and causes them to burst into flames and disappear. As he gathers their ashes in a pitcher a Good Spirit [a young woman who resembles Peter Pan] appears, shakes her head No, and reveals the "souls" of the two women in a secret compartment deeper within the cave. The Good Spirit vanishes in a puff of smoke. The magician then produces 3 glass bottles on pillars, takes them downstage close to the camera, and reveals 3 tiny women in them; one woman beats a tambourine while the other two sway. The magician pours ashes (?) into the bottles, but the Good Spirit reappears and makes these trapped figures disappear in a flash, angering the magician...

An American boy turns out to be the long-lost heir of a British fortune. He is sent to live with the cold and unsentimental lord who oversees the trust.