Male and Female (1919)
Mabel's New Hero (1913)
Martyrs of the Alamo (1915)
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Morning reveals New York harbor, the wharves, the Brooklyn Bridge. A ferry boat docks, disgorging its huddled mass. People move briskly along Wall St. or stroll more languorously through a cemetery. Ranks of skyscrapers extrude columns of smoke and steam. In plain view. Or framed, as through a balustrade. A crane promotes the city's upward progress, as an ironworker balances on a high beam. A locomotive in a railway yard prepares to depart, while an arriving ocean liner jostles with attentive tugboats. Fading sunlight is reflected in the waters of the harbor... The imagery is interspersed with quotations from Walt Whitman, who is left unnamed.
Mabel, Fatty and the Law (1915)
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When Mabel catches her husband flirting with their maid, it leads to a sharp dispute. As part of making up, the couple decide to take a walk to the park. Nearby, another married couple have just had a similar domestic squabble, and they too go to the park together. But at the park, both men find it difficult to avoid getting themselves into further trouble.
Making a Living (1914)
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An out-of-work swindler takes a job as a reporter. After witnessing a car go over cliff, he grabs a rival reporter's camera and races to the newspaper office to enter the photo as his own. His rival is delayed when he gets caught in a woman's bedroom by her jealous husband. The swindler follows the distribution of the paper containing his 'scoop' around town where he is once again chased by the rival reporter. Both end up on the cow-catcher of a streetcar.
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