Du er ikke alene (1978)
Cast:
A student strike at a Danish boys school is the backdrop of YOU ARE NOT ALONE. The leisurely paced tale explores the relationship between 15-year-old Bo and Kim, the younger son of the stern boarding school headmaster. Mounting school tensions over the expulsion of a troubled student threaten to sabotage the tranquility of the school.
Waldimar Daninsky, a lone survivor of a Tibetian expedition, returns home to find his wife has been unfaithful to him. Carrying the curse of the pentagram (or pentagon, as stated by the monk who nursed him back to health), the fury of the wolfman is unleashed! After disposing of his cheating spouse, he finds himself captive in a castle by a female mad scientist conducting mind control experiments. In a vein attempt at escape, he discovers the freaks left over from past experiments dwelling in the dungeons.
A creation myth realized in light, patterns, images superimposed, rapid cutting, and silence. A black screen, then streaks of light, then an explosion of color and squiggles and happenstance. Next, images of small circles emerge then of the Sun. Images of our Earth appear, woods, a part of a body, a nude woman perhaps giving birth. Imagery evokes movement across time.
Sexual intimacy. Three kinds of images race past, superimposed on each other sometimes: two bodies, a man and a woman's, close up, nude - patches of skin, wisps of hair, glimpses of a face and genitalia; strips of celluloid with lines and squiggles scratched on them; and, close-up shots of what appear to be the insides of living bodies - a heart beating, muscle and sinew and tissue wet with fluids. The exterior and interior of desire.
From a murky landscape, a wooded mountain emerges. We watch the sun. We see a bearded man climbing up the mountain through the snow. He carries an ax, and he's accompanied by a dog. His labors continue. There is no soundtrack. Images rush past - water, trees, and surfaces too close up to distinguish. He struggles. A fire burns. Nature, in long shots and magnified, is formidable and silent. It's tough going; he carries on. In a capillary, blood flows.
When two Hong Kong buddies become rivals for the same woman, their friendship ends, and they join rival tong gangs. Later, a tong boss cleverly conspires to use a motion picture company to cover illegal drug trafficking: Actresses are sent to Amsterdam for film roles not realizing that they carry cocaine shipments. Once in Holland, the actresses are sold into prostitution. Soon the faux film company shanghais the woman who put the two friends at odds. To save their beautiful damsel, the two ex-buddies must join forces and go on the offense.
Deep End (1970)
15-year-old Mike takes a job at the local swimming baths, where he becomes obsessed with an attractive young woman, Susan, who works there as an attendant. Although Susan has a fiancé, Mike does his best to sabotage the relationship, to the extent of stalking both her and her fiancé. Mike becomes increasingly desperate to have Susan for himself, with tragic results.
Dr. Steven Sorenson plans to tap the geothermal energy of the Earth's interior by means of a thermonuclear device detonated deep within the Earth. Despite dire warnings by fellow scientist Ted Rampian, Dr Sorenson proceeds with the experiment after secretly learning that he is terminally ill. This experiment causes a crack to form and grow within the earth's crust, which threatens to split the earth in two if it is not stopped in time.
High and Low (1963)
An executive mortgages all he owns to stage a coup and gain control of the National Shoe Company, with the intent of keeping the company out of the hands of incompetent and greedy executives. He needs the same money, though, to pay the ransom that will possibly save a child's life. His resolution of that dilemma -- the certain loss of the company vs. the probable loss of the child -- makes for one distinct drama, and an ensuing elaborate police procedure makes for a second.
Absolution (1978)
At a Catholic public school, Benjamin Stanfield is tired of being the teacher's pet and decides to play a practical joke on his form master Father Goddard. In confession, Stanfield tells Goddard that he has accidentally murdered his friend Blakey and buried him in the forest. When Goddard investigates the matter, he finds a buried scarecrow. Goddard is outraged, but, due to the seal of confession, he knows he cannot expel Stanfield. Shortly after, Stanfield once again enters the confession booth, telling Goddard that what before was a practical joke, he has now made happen. In disbelief, Goddard once again goes to the forest to investigate the matter. This time, he discovers Blakey's dead body. The plot soon thickens as Stanfield's fellow student Arthur Dyson mysteriously disappears...
Obsession (1976)
Atomic Rulers (1965)
Damnation Alley (1977)
A small group of survivors at a military installation who survived World War 3 attempt to drive across the desolate wasteland to where they hope more survivors are living. Hopefully their specially built vehicles will protect them against the freakish weather mutated plant and animal life and other dangers along the way.
Don't Look Now (1973)
John and Laura Baxter are living in Venice when they meet a pair of elderly sisters, one of whom claims to be psychic. She insists that she sees the spirit of the Baxters' daughter, who recently drowned. Laura is intrigued, but John resists the idea. He, however, seems to have his own psychic flashes, seeing their daughter walk the streets in her red cloak, as well as Laura and the sisters on a funeral gondola.
Black Moon (1975)
There is a war in the world between the men and the women. A young girl tries to escape this reality and comes to a hidden place where a strange unicorn lives with a family: Sister, Brother, many children and an old woman that never leaves her bed but stays in contact with the world through her radio. Since the content of this picture is not as important as the pictures and allegories, the simple plot can not be described further.
Camille 2000 (1969)
Léon Morin, prêtre (1961)
In World War II, the widow Barny sees the Italian soldiers arriving in occupied Saint Bernard while walking to her job. Barny lives with her daughter and works correcting tests and feels a great attraction toward her boss Sabine. When the Germans arrive, Barny sends her half-Jewish daughter to live in a farm in the countryside and finds that Sabine's brother has been arrested and sent to a concentration camp. The atheist Barny decides to baptize her daughter to protect her and chooses priest Léon Morin to discuss with him themes related to religion and Catholicism and Léon lends books to her. Barny converts to the Catholicism and becomes closer to Léon, feeling an unrequited desire for him.
Two bawdy, tough looking navy lifers - "Bad-Ass" Buddusky, and "Mule" Mulhall - are commissioned to escort a young pilferer named Meadows to the brig in Portsmouth. Meadows is not much of a thief. Indeed, in his late teens, he is not much of a man at all. His great crime was to try to steal forty dollars from the admiral's wife's pet charity. For this, he's been sentenced to eight years behind bars. At first, Buddusky and Mulhall view the journey as a paid vacation, but their holiday spirits are quickly depressed by the prisoner, who looks prepared to break into tears at any moment. And he has the lowest self-image imaginable. Buddusky gets it into his head to give Meadows a good time and teach him a bit about getting on in the world. Lesson one: Don't take every card life deals you. Next, he teaches Meadows to drink, and, as a coup de grace, finds a nice young whore to instruct him in lovemaking. Mule, who worries aloud about his own position with military authority, seems pleased ...
A man, accompanied by a dog, struggles through snow on a mountain side. We see film stock blister; drawn square shapes appear. Then, we see an infant's face. The images of struggling climber, baby, blurred film stock, large snow flakes, and what may be microscopic details of matter are superimposed on each other, one dominating the frame briefly to be replaced by another. As the man falls in the snow and tries to regain his feet, the baby continues to appear, first with eyes closed. Alternately, images rush by - montages of paper cutouts and life under a microscope.
Män kan inte våldtas (1978)
A man who is having an affair with a married woman is dropped off on the wrong street when going back to his hotel. He takes refuge out of the rain when an old man invites him in. He turns out to be a mortician, who tells him the stories of the people who have wound up in his establishment over the course of four stories.
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