Easy-going, gentle college-boy Adam Baker enjoys frat-life, however disgusting the frat-house gets because of his sloppy house-mates Freddie, Ferguson and Munch. Then Adam meets Eve, starts falling in love, but gets jealous of frat-brother Billy, who 'bumps' almost constantly without seeking love, while Eve guards her campus-unique virginity. As even his thrice-divorced dad, an MD, urges Adam to get laid rather then loved, his patience runs out against healthy hormones.

The crew of the first manned mission to Mars crash land on the surface in search of a clean everlasting power source they believe to be hidden somewhere beneath the ground. However, the crew find themselves in the middle of a civil war between the High Priest of Mars' royal guards and the High Priestess' warriors. The crew is divided with one half deciding to help the High Priest make peace with Earth and the other side with the High Priestess who is secretly plotting to kill her husband and invade Earth.

The Sethna family resides in the hills of Panchgani. A retired sculptor Dinshaw heads the family of Dinshaw's wife Katy , brother Farokh, sister-in-law Tina and father Fardoonjee. When the bizarre Cyrus comes into their lives, it is soon revealed that things aren't quite right with the Sethna family. The original Indian title is "Akoori."

Hannah, who wears a hearing aid, is forced to go on holiday. On holiday she manages to find a job: caring for Josef, a burn victim on an oil rig who temporarily lost his sight, until he's stable enough to be transferred. There is almost no one on the rig, except a cook, an oceanographer and a few others out at sea. Hannah tends to Josef and he slowly breaks her shell of silence.

While trying to obtain "Tree Sweets", Littlefoot into the tree and knocks down all the blossoms, which attract the tiny dinosaurs, Tinysauruses. They devour the plants and disappear. But Littlefoot isn't blamed for the disappearance. Instead of taking the blame, he accidentally makes the adults go into a "Get Frankenstein" frenzy when they believe the tiny dinosaurs were the main cause. Now Littlefoot and his friends must protect the tiny herd, and in the end learn the value of honesty.

Dr. Abraham Van Helsing is granted immortality by the Catholic Church until he can hunt down the last vampire prince.

In the dusty little town of Furlough in Texas, an animal is slaughtering the cattle and the locals. When the teenager Tommy is killed, their friends Anna Furlough, her Mexican-American boyfriend Miguel Gonzalez, Jill Gillespie and Rosie finds that a Mexican werewolf Chupacabra is the killer and they plot a plan to kill the beast.

The not too distant future. A deadly virus has swept across the Earth. Billions perished. The survivors moved underground . . . 30 years on and plagued with self-blame following a devastating crash, pilot Loki is coaxed back from the edge by his partner Sash. Together they must take on a new mission: Go Topside. Retrieve missing recon team. Hostility unknown. After a thunderous journey through the Earth's crust they discover the planet surface is not what it once was, only death survives. As they quickly uncover the fate that befell the first team, they are forced to make a choice, either stay and die or stay and fight. But what will kill them first, the mutants or the virus?

Michael and Elise are about to get married. Their high school and college friends gather together for the wedding and resolve some issues. Lana is in therapy and when Elise's ex shows up from London she begins to realize what has been troubling her all these years. Involves a lot of drunkenness and some drug use.

Two actors, as their make up is applied, talk about the size of their parts. Then into the film: Laurence Sterne's unfilmable novel, Tristram Shandy, a fictive autobiography wherein the narrator, interrupted constantly, takes the entire story to be born. The film tracks between "Shandy" and behind the scenes. Size matters: parts, egos, shoes, noses. The lead's girlfriend, with their infant son, is up from London for the night, wanting sex; interruptions are constant. Scenes are shot, re-shot, and discarded. The purpose of the project is elusive. Fathers and sons; men and women; cocks and bulls. Life is amorphous, too full and too rich to be captured in one narrative.