Frank Hopper (Bon Jovi) is a former lawyer, long-term loser and constant dreamer - and frankly, probably just not all that bright. When he receives a credit card in the mail, he believes he's hit the jackpot. It's not long before he's working his way toward financing his dream - an all-woman hockey team. He's also put himself in debt to the tune of more than $300,000. Naturally, he winds up in court when his plan backfires.

Innocent lives hang on the whim of an elusive psychopathic murderer whose strange riddles and impossible timelines force three people into a mission to end the game before one or all of them die.

After the sudden death of her fiancé, Gray Wheeler finds comfort in the company of his friends: lighthearted and comic Sam, hyper-responsible Dennis, and, oddly enough, his old childhood buddy Fritz, an irresponsible playboy whom she'd previously pegged as one of the least reliable people in the world. As secrets about her supposedly perfect fiancé emerge, Gray comes to see new sides of the man she thought she knew, and at the same time, finds herself drawn to the last man she ever expected to fall for.

A mother and her daughter, a mother and her son, and a man living with one and attracted to the other. Miro, a teen from Sarajevo, lives near King's Cross with his mother; he's nimble, able to run across roofs, so his uncle hires him to break into office skylights, so the uncle can boost computers. Twice they steal from Will's architectural firm, so Will stakes it out at night. He follows Miro home and returns the next day and meets Miro's mother, Amira. At home, Will's relationship with Liv is strained - he feels outside Liv and her daughter Bea's circle. The stakeout and Amira's vulnerability are attractive alternatives to being at home. The police, too, watch Miro.

In 1958, in New York City, the upper class Diane Arbus is a frustrated and lonely woman with a conventional marriage with two daughters. Her husband is a photographer sponsored by the wealthy parents of Diane, and she works as his assistant. When Lionel Sweeney, a mysterious man with hypertrichosis (a.k.a. werewolf syndrome, a disease that causes excessive body hair), comes to live in the apartment in the upper floor, Diane feels a great attraction for him and is introduced to the world of freaks and marginalized people, falling in love with Lionel.

In the 1860s, five men have been tracking a sixth across Nevada for more than two weeks. They shoot and wound him, but he gets away. They pursue, led by the dour Carver, who will pay them each $1 a day once he's captured. The hunted is Gideon, resourceful, skilled with a knife. Gideon's flight and Carver's hunt require horses, water, and bullets. The course takes them past lone settlers, a wagon train, a rail crew, settlements, and an Indian philosopher. What is the reason for the hunt; what connects Gideon and Carver? What happened at Seraphim Falls?

A sci-fi writer (Hutton) is invited to an island for a conference, only to discover that he's become lured into a trap.

Berlin, July, 1945. Journalist Jake Geismer arrives to cover the Potsdam conference, issued a captain's uniform for easier passage. He also wants to find Lena, an old flame who's now a prostitute desperate to get out of Berlin. He discovers that the driver he's assigned, a cheerful down-home sadist named Corporal Tully, is Lena's keeper. When the body of a murdered man washes up in Potsdam (within the Russian sector), Jake may be the only person who wants to solve the crime: U.S. personnel are busy finding Nazis to bring to trial, the Russians and the Americans are looking for German rocket scientists, and Lena has her own secrets.

Thirty years old and single, Beatrix Potter lives in London with her social-climbing parents, who are exasperated that she has turned down any number of eligible young men. Her only real friends are the animals which since childhood she has lovingly drawn and made up stories about. She finally succeeds in selling a book of the stories, and it becomes Norman Warne's first project. He quickly falls in love with both the book and Beatrix and together they carefully arrange publication. This proves the first of many successes, offering her the possibility of escaping from both her parents' way of life and London.

In rural Mississippi, Lazarus, a former blues musician who survives by truck farming, finds a young girl nearly beaten to death near his home. She's the white-trash town tramp, molded by a life of sexual abuse at the hands of her father and verbal abuse from her mother, who seems to delight in reminding Rae of her mistake in not aborting her. Lazarus, who is also facing personal crisis at the dissolution of his marriage, nurses Rae back to health, providing her with gentle, fatherly advice as well as an education in blues music. Rae's boyfriend, Ronnie, goaded by the man who nearly beat Rae to death, misunderstands the relationship between Lazarus and Rae, and vows to kill him. Lazarus, exhibiting a street-smart understanding of violence and its motives, calls Ronnie's bluff, senses that he is as troubled as Rae, and becomes a guiding force in the young couple's resurrection.

Gray and Sam are brother and sister and best friends, flatmates in New York City, where she creates ad campaigns and he's a surgery intern. Their social life is too insular, so they head to a dog park so Sam can, maybe, meet a woman. He does - Charlie - a zoologist new in the city; he likes her immediately, and the feeling seems mutual. As the three of them spend time together, what if Gray's feelings for Charlie aren't just sisterly? Not only might this explain her solitary life, but it could lead to real dilemmas - with Charlie (who's sweet, but a bit opaque) and with Sam. No advice comes from Gray's therapist, but a co-worker and a cab driver give theirs. Can Gray sort things out?

In 1966, somewhere in Russia, a wounded woman drives a truck to an isolated farm with two babies. Forty years later, the film producer Marie Jones leaves her daughter in California and travels back to her home land in the wilderness of Russia. Marie is one of the children and had received a phone call from the notary public Andrei Misharin that had told her where the farm of her family is. Marie arrives in the abandoned house and meets the stranger Nicolai that tells her that he had also received a call from Misharin and he is her twin brother. Weird things happen in the house and Marie and Nicolai are haunted by eerie ghosts of themselves. Further, they find that they are trapped in the house and can not leave the place.

Texan Charles Farmer left the Air Force as a young man to save the family ranch when his dad died. Like most American ranchers, he owes his bank. Unlike most, he's an astrophysicist with a rocket in his barn - one he's built and wants to take into space. It's his dream. The FBI puts him under surveillance when he tries to buy rocket fuel; the FAA stalls him when he files a flight plan - it's post-9/11, after all. His wife is angry when she finds out their bank is initiating foreclosure. Charlie fears failure and decides, precipitously, to launch. Are twenty-first century American dreams just a sign of insanity? Are those who believe in dreamers only fools?

A beautiful, wealthy young party girl drops out of Radcliffe in 1965 and heads to New York to become Holly Golightly. When she meets a hungry young artist named Andy Warhol, he promises to make her the star she always wanted to be. And like a super nova she explodes on the New York scene only to find herself slowly lose grip on reality...

Ray Keene (John Cusack), a father who wants to redeem himself in the eyes of his son (Jamie Anderson), is trying to bring Carden (Morgan Freeman), a world-class assassin to justice. All the while, he must protect his son and evade the assassin's team who are methodically hunting them down in the wilderness.

In the late 1940's, Martha Beck and Raymond Fernandez were America's notorious "Lonely Hearts Killers". Their lethal scam was simple; they would swindle and then viciously murder lovelorn war widows who would answer their personal ads in which Ray would describe himself as a sexy Latin Lover. Ironically, Ray's initial introduction to Martha was as a prospective mark. But when they met, it was love at first sight, perhaps as a result of their penchant for kinky sex and their mutual love for duplicity and easy money. With Martha posing as Ray's sister, they bilked elderly spinsters and widows of their savings and then viciously murdered them in a bloodbath of sexual frenzy. When they were arrested, Martha and Ray confessed to 12 killings, although it is believed the actual number is closer to 20. At their sensational trial, Martha and Ray cooed, held hands and seemed as though they could not get enough of each other...

Spencer and his little sister, Katherine, are flying to Pennsylvania for Christmas with their dad. While changing planes, a blizzard moves in and cancels all flights out of Hoover Airport: they must stay in a basement room with the other unaccompanied minors. Spencer and four others - a chubby boy, a non-stop-talker, a surly girl, and a rich kid - go AWOL and get in trouble with Mr. Porter, the Christmas-hating airport supervisor. The five misfits spend the night evading and enduring Porter's punishments, discovering all sorts of things in back rooms, making sure Katherine gets her visit from Santa, and finding among themselves a new kind of family.

In Manhattan, Sofia's an attorney and Tom's a cook who has a hard time holding a job. When their first child is born, they agree that she'll be a full-time mom and he'll get a promotion. When he gets fired, he takes a job in Ohio working at the ad agency where her father is assistant director. Tom's assigned to report to Chip, a competitive, hard-driving guy who's in a wheelchair and who's Sofia's ex-boyfriend - from high school. Chip still carries a torch for her, so he connives to make Tom's work life miserable. As Tom's frustrations mount, it may be that Sofia will take Chip's side. Is Tom doomed to fail yet again?

A forensic detective and an insurance investigator trek to investigate a potential Darwin Award winner. From www.darwinawards.com: "Honoring those who improve the species...by accidentally removing themselves from it!"

Grant and Fiona Anderson have been married for forty-four years. Their marriage has been a generally happy and loving one although not perfect due to some indiscretions when Grant was working as a college professor. Fiona has just been admitted to Meadowlake, a long term care facility near their country home in southwestern Ontario, because her recent lapses of memory have been diagnosed as a probable case of Alzheimer's disease. She and Grant made this decision together, although a still lucid Fiona seems to have made peace with the decision and her diagnosis more so than Grant. With respect to the facility, what Grant has the most difficulty with are what he sees as the sadness associated with the facility's second floor - where the more advanced cases are housed - but most specifically the facility's policy of no visitors within the first thirty days of admission to allow the patient to adjust more easily to their new life there...

A number of fighters are invited to DOA, an invitational martial arts contest. They travel to the tournament island by plane, until they have to jump out mid-flight with parachutes, and then have until sundown to reach the main island to be entered into the tournament. Fighters are then pooled against one another in a knock-out style tournament, with the loser of a battle sent home, and the winner progressing to the subsequent round. The plot revolves around four female fighters who begin as rivals, but subsequently find themselves teaming up against another force.

In November, 1970, virtually the entire football team and coaches of Marshall University (Huntington, W.V.) die in a plane crash. That spring, led by Nate Ruffin, a player who was ill and missed the fatal flight, students rally to convince the board of governors to play the 1971 season. The college president, Don Dedman, must find a coach, who then must find players. They petition the NCAA to allow freshmen to play, and coach Jack Lengyel motivates and leads young players at the same time that he reexamines the Lombardi creed that winning is the only thing. The father and the fiancée of a player who died find strength to move on. Can Marshall win even one game in 1971?

Having escaped her abusive ex-husband Goss, recently released from state prison, Agnes, a lonely waitress with a tragic past moves into a sleazy, rundown motel. Her lesbian co-worker R.C. introduces her to Peter, a peculiar, paranoiac drifter and they begin a tentative romance. However, things aren't always as they appear and Agnes is about to experience a claustrophobic nightmare reality as the bugs begin to arrive...

Gambling: Carolyn, a novelist, is losing her family's savings at the slots; she's befriended by a close-up magician who dreams of making it big. A murdered bookie has the cops focused on Victor, who fronts for the mysterious, never-seen Ivan. Augie and Murph, two other bookies ply their partnership, which is endangered by an offer from Victor to Augie and by Murph's girlfriend's rejection of his violent vocation. A mechanic, in debt to his bookies, asks his basketball-playing brother to shave some points. A paraplegic cop sees all. Will anyone reach their dream? The odds are against it.

The Welsh nutters, Dirty Sanchez are making a movie: The concept of the film is that the Devil has heard about the dare-devil nature of the Sanchez boys so he's set them the ultimate challenge, to complete stunts based on the 7 Deadly Sins or be damned to the gutter forever. In order to regain their status as hard-asses and crawl out of the gutter - the 7 deadly sins they must complete in seven exotic locations are: Sloth - UK >> Anger - Moscow Russia >> Lust - Bangkok Thailand >> Envy - Ko Phi Phi Thailand >> Pride - Tokyo Japan >> Gluttony - Mexico >> Greed - Dominican Republic And most interesting of all the film-makers have secured Lemmy to play the Devil and do the music. Lemmy: "If they (Dirty Sanchez boys) think they're tough... Wait till they meet me."