Sadie and Ben are in love, and although Ben suggests getting married in the Caribbean, Sadie has her heart set on a wedding at the family church, St. Augustine's. Ben says sure, and they meet with the pastor, Rev. Frank. The only date open for two years is three weeks away, and Frank insists the kids go through his marriage prep course. They're to write their own vows; he also demands chastity, bugs their apartment, initiates arguments, has them care for robot twins, creates friction between Ben and her family, and raises doubts in Sadie. Desperate, Ben looks for dirt on Frank. Can he undermine Frank's authority and keep Sadie's heart?

Eccentric Jeffrey Mannus is 29 years old and still lives at home with his mom, Jan. He sees no reason to alter this arrangement, but his perfect world is upended when Jan meets Mert, a motivational speaker. Mert successfully woos Jan and moves in on Jeffrey's territory, something Jeffrey will not tolerate. Jeffrey enlists the aid of an unlikely ally, an aspiring singer-songwriter, Nora, with an anti-establishment penchant and a soft spot for him. As the war between Mert and Jeffrey escalates, something unprecedented happens -- slowly, to both his own surprise and horror, Jeffrey discovers his inner adult.

In this English-language remake of a deconstruction in the way violence is portrayed in the media, a family settles into its vacation home, which happens to be the next stop for a pair of young, articulate, white-gloved serial killers on an excursion through the neighborhood.

Just before he's to marry Fiona, Roderick Blank receives an anonymous e-mail with 101 names on it; Fiona's is the 29th, the first 28 are women Rod has slept with, and the 30th turns out to be the stripper at his bachelor party. The notion that he will have sex with 70 more people sends Rod into crisis mode, especially after three odd men in an aseptic office confirm that a celestial machine has made an error. They suggest destroying the list, but Rod finds that easier said than done. Working his way through it consumes him, plus he realizes that death may await him after #101. Meanwhile, a femme fatale nicknamed Death Nell is putting men into a coma. Are they fated to meet?

Bill is unhappy: he's married a banker's daughter and has a non-job at the bank; his wife Jess is tied to daddy's purse-strings; and, Bill is developing a gut from lack of exercise and constantly eating candy bars. He dreams of buying a donut franchise to be independent of Jess's dad. Bill is roped into a mentoring program at his old prep school, assigned a smart-mouthed kid who pops up when least expected. When Jess starts an affair with Chip, a local TV personality and vain Rob Lowe look-alike, it sends Bill, the kid, and a young sales clerk from a lingerie shop on a quest to win back Jess and get the donuts. What about self-respect?

Husband, wife, and daughter have moved from Boston to Williamstown. At 16, Samantha treats her mother shabbily, but when the two of them are in a horrific car crash, the mother wills Sam to live, somehow losing her own life while her spirit enters Sam. Can she convince husband Ben that she's his wife inside his daughter's body, what if he believes her, and can she live Samantha's life (discovering all her daughter's secrets) while she figures out what to do? What's Ben's part in this secret life?

A dramatic thriller about Diana, a suburban wife and mother who begins to question her seemingly perfect life--and perhaps her sanity--on the 15th anniversary of a tragic high school shooting. In flashbacks, Diana is a vibrant high schooler who, with her shy best friend Maureen, plot typical teenage strategies--cutting class,fantasizing about boys--and vow to leave their sleepy suburb at the first opportunity. The older Diana, however, is haunted by the increasingly strained relationship she had with Maureen as day of the school shooting approached. These memories disrupt the idyllic life she's now leading with her professor husband Paul and their young daughter Emma. As older Diana's life begins to unravel and younger Diana gets closer and closer to the fatal day, a deeper mystery slowly unravels.

SON OF RAMBOW is the name of the home movie made by two little boys with a big video camera and even bigger ambitions. Set on a long English summer in the early 80's, SON OF RAMBOW is a comedy about friendship, faith and the tough business of growing up. We see the story through the eyes of Will, the eldest son of a fatherless Plymouth Brethren family. The Brethren regard themselves as God's 'chosen ones' and their strict moral code means that Will has never been allowed to mix with the other 'worldlies,' listen to music or watch TV, until he finds himself caught up in the extraordinary world of Lee Carter, the school terror and maker of bizarre home movies. Carter exposes Will to a pirate copy of Rambo: First Blood and from that moment Will's mind is blown wide open and he's easily convinced to be the stuntman in Lee Carters' diabolical home movie...

39-year-old April Epner's childish husband and school teacher colleague Benjamin/Ben leaves her, but with her biological clock ticking ever more loudly. Her dying bossy adoptive mother is very vocal about her disappointment, while her natural son Freddy, a doctor, is most understanding. Shy but fascinating British author Frank meets April, his doted son Jimmy Ray's teacher, which soon leads to a full-flung affair. At the same time April's birth mother Bernice Graves locates her and begins attempting to establish a relationship. On top of all these balls in the air, April discovers she's finally expecting Ben's baby.

The late 1940s. Richard Langley, a bachelor playboy, narrates a story that starts when his best friend, Harry Allen, invites him to lunch to tell Richard he's in love. Trouble is, Harry's already married to Pat; he worries Pat would be hurt too deeply by a divorce. Then, Harry's new love, Kay, joins them. Richard is smitten, so when he finds out that Pat may be in love with someone else but won't tell Harry because she fears he would be too hurt, Richard can't decide if he should let all the cats out of the bag. He'd unite pairs of lovers, but he'd lose Kay. Meanwhile, Harry decides that a swift end to Pat's life would be more kind than divorcing her. He buys poison. Murder will out?