In a world of odd people and surreal habits, the Queen weeps and wails: her daughter Betty won't wake up. With the court looking on, the King swings into action, jiggling the bed with the help of a knight, calling on a doctor and then a witch, and also phoning for a prince. As the prince, on his steed, makes his way to Betty's bedside - a trip replete with adventures - we watch others try to wake the young woman. On-lookers include a jester, Henry VIII, Queen Victoria, and a multi-eyed gargoyle. Will the prince make everything right? Where are we?

Madame Tutli-Putli boards the Night Train, weighed down with all her earthly possessions and the ghosts of her past. She travels alone, facing both the kindness and menace of strangers. As day descends into dark, she finds herself caught up in a desperate metaphysical adventure. Adrift between real and imagined worlds, Madame Tutli-Putli confronts her demons and is drawn into an undertow of mystery and suspense. The National Film Board of Canada presents a stunning, stop-motion animated film that takes the viewer on an exhilarating existential journey. The film introduces groundbreaking visual techniques and is supported by a haunting and original score. Painstaking care and craftsmanship in form and detail bring to life a fully imagined, tactile world unlike any you have seen. Jungian thriller? Hitchcockian suspense? Artistic tour de force? The Night Train awaits you.

The King is the story of , Australia's first and greatest home grown TV superstar. It traces his rise and rise, from working class Balaclava kid, through radio, TV, film, and back to TV again. But against this backdrop of professional success it also tracks Kennedy's personal tragedies - the loneliness, the unrealised ambitions and the terrible pressures of being Australia's first homegrown superstar in the 1950s and 60s. But The King is not just about a man - it's also the story of the birth of television, a cultural phenomenon that has helped define a nation, and make us who we are today.

Angie gets the sack from a recruitment agency for bad behaviour in public. Seizing the chance, she teams up with her flatmate, Rose, to run a similar business from their kitchen. With immigrants desperate to work the opportunities are considerable, particularly for two girls so in tune with these times.

Two pounds of pressure on a trigger pays really well... Ex special forces mercenary and now hardened criminal Vic, lives in a world of cons, double crosses, crooked cops, mob bosses and drug dealing crime lords. Playing by his own rules, Vic and his partner Frank work both sides of the street, caring only about where they can score and take down the most cash. After a dangerous shootout during a drug deal gone bad, Vic finds himself working for ruthless crime boss Paul Santo. Santo's being indicted for murder, and he enlists Vic and Frank to kill the three witnesses that will testify against him. Watching Vic's every move is Santo's strongest soldier, Ray, a stone cold killer, who would like nothing better than to whack Vic and Frank the moment his boss gives him the okay. As the Asian proverb says, "In the shadow of every crime is a woman" and that holds true for Vic as his grifter girlfriend Thea and Frank's ex...

A nearly-suicidal, young woman visits a psychotherapist. She is in love with a priest, and the diagnosis of her husband's mental illness leaves no hope. The psychotherapist, in her attempts to resolve the amassed difficulties, seemingly begins to duplicate the life stages and behavioral patterns of her patient. A script for this film is based on motifs from the best-seller, scandalous novel, Witch and Rain, by female author, Jurga Ivanauskaite. By choosing a priest as the main role for a love story, the author broke an existing societal taboo. Faith, Love and Hope form the trilogy by the authors of this screenplay. Love stands as the grandest of the three.

In 1962, a trash fire ignited a seam of anthracite coal beneath Centralia, Pennsylvania, a once thriving mining town of over 1600 people. By the mid 1980's, giant plumes of smoke and deadly carbon monoxide gases billowed from fissures in the ground, the local highway cracked and collapsed, trees were bleached white and petrified, as the fire continued to rage unchecked. It wasn't until a young boy nearly died after falling into a smoldering mine subsidence that the government was pressed into action. After estimating the cost of extinguishing the fire at over a half a billion dollars, the government opted to raze the town and relocate its residents. Today, 11 die-hards remain. Filmed over a period of five years with interviews ranging from former residents to Congressmen, The Town That Was is an intimate portrait of John Lokitis, the youngest remaining Centralian, and his quixotic fight to keep alive a hometown that has literally disintegrated under his feet...

Beginning just after the bloody Sioux victory over General Custer at Little Big Horn, Bury My Heart at Wounded Knee intertwines the perspectives of three characters: Charles Eastman, né Ohiyesa, a young, Dartmouth-educated, Sioux doctor held up as living proof of the alleged success of assimilation; Sitting Bull, the proud Lakota chief who refuses to submit to U.S. government policies designed to strip his people of their identity, their dignity and their sacred land - the gold-laden Black Hills of the Dakotas; and Senator Henry Dawes, who was one of the architects of the government policy on Indian affairs. While Eastman and patrician schoolteacher Elaine Goodale work to improve life for the Indians on the reservation, Senator Dawes lobbies President Grant for more humane treatment, opposing the bellicose stance of General William Tecumseh Sherman. Hope rises for the Indians in the form of the prophet Wovoka and the Ghost Dance...