When a group of archaeologists dig up a human skeleton near the historical monument of STONEHENGE, an ancient piece of machinery hidden beneath the bedrock is discovered. Not knowing what it could be the workers accidentally trigger the mechanism and start a chain of events that may very well end the world as we know it.

Two young people are forced together in a room as they await some sort of examination. Despite their differences, they share a common desire to refuse adapting themselves to a strongly conformist society.

In the near future, drugs and crime have risen 500%. A disintegrating police force is unable to deal with this horrifying problem. When an undercover cop (Anthony Tomei) disappears, his girlfriend (Tierra Peterson) and the chief of police (Johnny Andrews) take to the streets to fight crime their own way. Take a tour of a town gone mad. All victims of the bloodthirsty DRUG CULT!

Two in the Wave is the story of a friendship. Jean-Luc Godard was born in 1930; Francois Truffaut two years later. Love of movies brings them together. They write in the same magazines, Cahiers du Cinema and Arts. When the younger of the two becomes a filmmaker with "The 400 Blows", which triumphs in Cannes in 1959, he helps his older friend shift to directing, offering him a screenplay which already has a title, A bout de souffle, or Breathless. Through the 1960s the two loyally support each other. History and politics separate them in 1968, when Godard plunges into radical politics but Truffaut continues his career as before. Between the two of them, the actor Jean-Pierre Leaud is torn like a child caught between two separated and warring parents. Their friendship and their break-up embody the story of French cinema.

Shirley has important news for her family, but she has five grown children with different lifestyles and finds it difficult to get them and the kids all together. So in steps Madea, the Matriarch General, to put the family's life in perspective with a hilarious twist on financial difficulties, drugs and, most important, family secrets. The next generation has a lot to learn. In her own way, Madea expresses how deliverance won't change you to be someone else, but will allow you to be who you really are.

Maltazard, the Evil M, is now 7 feet tall and evolving among the humans, causing terror wherever he goes. His goal is simple: forming an army of giant henchmen and ruling over the universe. Meanwhile, Arthur is still a Minimoy, and thus in a state where he's unable to fend him off. With the help of Selenia and Betameche, he hatches a plan to regain his usual size: all they must do is infiltrate Arthur's house through the pipeworks, catch an electric train from his bedroom to his grandfather's study and find an elixir that will make him grow back to his human size. Sounds simple enough, if it weren't for Darkos, Maltazard's own son, hot on their tails.

Friends and family convene at a beach house for the wedding of Lila and Tom. But things don't go swimmingly, mainly because of one thing that Lila and her maid of honor, Laura, have in common - Tom, the groom. Laura and Tom were an item before Lila came along and nobody seems able to forget that. With very few successful marriages to look up to, and friends that she's not sure she can trust, will Lila be able to go through with the wedding?

Exploring the controversial story behind John Carpenter (Halloween & The Thing) and writer Dan O Bannon's (Alien & Return of the Living Dead) from first feature film. From its humble beginnings as a USC student film, to its modern day status as a cult masterpiece. It also offers a rare glimpse inside the creative minds of two USC film students... who would eventually go on to change the way horror films are made.

A former beauty queen is forced to take a job at a massage parlor when her family faces foreclosure on their home after her husband suffers an injury that keeps him from working. Unfortunately for her she soon learns that her clients expect more than a rubdown.