Gloria is a young woman of the Depression. She has aged beyond her years and feels her life is hopeless, having been cheated and betrayed many times in her past. While recovering from a suicide attempt, she gets the idea from a movie magazine to head for Hollywood to make it as an actress. Robert is a desperate Hollywood citizen trying to become a director, never doubting that he'll make it. Robert and Gloria meet and decide to enter a dance marathon, one of the crazes of the thirties. The grueling dancing takes its toll on Gloria's already weakened spirit, and she tells Robert that she'd be better off dead, that her life is hopeless - all the while acting cruelly and bitterly, alienating those around her, trying to convince him to shoot her and put her out of her misery. After all, they shoot horses, don't they?

Joey Drayton brings her fiancé, Dr. John Prentice, home to sunny San Francisco to meet her affluent parents. Their liberal persuasions are now put to the test, for although the young man is an ideal choice (he's highly and internationally respected in the medical field, and he's impeccably mannered, handsome, well dressed and of a respectable California family), he's black. The film, which covers one busy day in the Drayton home, is essentially a drawing-room comedy, a series of cross-conversations between the young doctor and the girl's parents, and finally between all sets of parents and offspring. A simple dinner is extended to include the doctor's parents, who fly up from Los Angeles for the evening, and the crusty but benevolent old Irish priest, a friend of the family. Thus, the title of the film . . .

The story about the relationship between a manic depressive man, Mr Jones, and the female doctor who takes more than a professional interest in his treatment.

Frankenstein, a young medical students, trying to create the perfect human being, instead creates a misshapen monster. Made ill by what he has done, Frankenstein is comforted by his fiancée but on his wedding night he is visited by the monster. A fight ensues but the monster, seeing himself in a mirror, is horrified and runs away. He later returns, entering the new bride's room, and finds her alone.

Set in Arizona, HURT follows the Coltrane family as they grapple with the untimely death of the father, Robert. Forced to abandon their privileged lifestyle, Helen Coltrane and her teenage children Conrad and Lenore are given shelter by her husband's reclusive brother Darryl in his ramshackle home in the desert. As the family reluctantly settles in, a fresh challenge is presented by the arrival of Sarah, a lovely yet troubled foster child whom Robert had pledged to take in. The family's grief turns to dread as a series of tragic, inexplicable incidents befall them.

A secret military project has created a device to manipulate the weather, but something goes wrong.

The LA police department have a special team of officers with a talent for reducing big-time crime. The team leader has an excellent track record for crime reduction in other big cities, but his methods are unconventional, and so is he - he's a werewolf.

James is a new speech teacher at a school for the deaf. He falls for Sarah, a pupil who decided to stay on at the school rather than venture into the big bad world. She shuns him at first, refusing to read his lips and only using signs. Will her feelings change over time?

Kevin Nealon takes the stage in his very first stand-up comedy special. Kevin brings his wry wit to bear on topics ranging from getting older, avoiding conflicts, and birthing babies. A master of misdirection, Kevin keeps his audience on edge with his impeccable sense of timing and delivery.

Scientists mount an expedition to find a Bigfoot-type creature.

A slow-paced, action thriller about a virus that strikes a New Mexico county and the local veterinarian who gets caught in the middle. With a very quick response time to the infected county after a call was made to the Center Of Disease Control, the presence of the U.S. military has the locals thinking conspiracy theory. The vet must pair up with an eccentric rancher who has ideas of his own of what the government is up to, so they can expose the threat and save humanity.

Buddy (Affleck) has just signed an airline in Chicago as a big client, but is ironically delayed at the airport waiting for a flight to LA on that same airline. He meets fellow passenger Greg, who opts to be bumped, even though it means missing an activity with his older son. When the flight gets resumed, Buddy thinks he's doing a good deed by swapping tickets with Greg so he can get home to his son. Sadly, the flight crashes. Buddy conspires with his friend, the ticket agent that night, to take his name off the passenger list and put Greg's on. Once he's back in LA, his new client dictates that the company run a series of feel-good ads about the crash. Buddy feels very hypocritical, and completely loses it when the commercials win a Cleo. After going through re-hab, he decides he needs to check on Greg's widow. But he doesn't plan on falling in love with her.

Jed Clampett and kin move from Arkansas to Beverly Hills when he becomes a billionaire, after an oil strike. The country folk are very naive with regard to life in the big city, so when Jed starts a search for a new wife there are inevitably plenty of takers and con artists ready to make a fast buck.

Barbara is a very rich girl who falls in love with Norman Phiffier, a poor young man. She doesn't tell him who she really is and prepares to marry him. But, Mrs. Tuttle (Barbara's mother) doesn't want her daughter to mary such a poor man. So, she hires Norman at one of her big stores, and gives him the most difficult and disgusting works. She hopes that seeing Norman humiliated, Barbara will finally leave him. But things don't work exactly this way...

In 1672, two witches (Jennifer and her father Daniel) were burned by puritan Jonathan Wooley. In revenge, Jennifer cursed all future generations of the Wooley family, that the sons will always marry the wrong woman and be miserable. In the 20th century, a bolt of lightning frees Jennifer and her father from the tree that had kept their souls imprisoned. Jennifer assumes corporeal form and decides to make up-and-coming politician Wallace Wooley, then unhappily engaged, even more miserable by getting him to fall in love with her before his wedding. Wallace is a straight arrow, though, and Jennifer has to resort to a love potion. As we all know, love potions tend to backfire, with comedic results.