Thomas Michael, Paolo Mancini, Chris Klein and Joe Mantegna star in director Matthiew Klinck's holiday-themed comedy concerning two downsized Easter bunnies whose friendship starts to suffer when the multi-national corporation that owns all holidays decides to make some serious cutbacks. Hank and Mike are the Felix Unger and Oscar Madison of holiday mascots: They may seem like a mismatched pair yet their differences are precisely what's kept them together all these years. While Hank is a hard drinking ladies man, Mike can't seem to look past his own insecurities long enough to realize how truly miserable he is. Once a year, Hank and Mike dutifully venture out to deliver Easter baskets to families everywhere. This year, however, Easter Enterprises has taken a hit, and all "Tier 2" holidays (Christmas and Hanukkah being prime examples of "Tier 1") are fair game for downsizing...

In the world of MIDNIGHT, it is a time of overwhelming darkness. After three ages of scheming and war, the dark god Izrador has finally defeated the heroes and armies of the free races. Now, he rules the world of Aryth with an iron fist. Enslaved under the Shadow, the race of men leads an oppressed existence, and the elves and dwarves have retreated to distant forests and mountains, where their desperate resistance is slowly succumbing to the unyielding might of the Shadow. Investigating the disappearance of a legate priest, the infamous Mag Kiln has been ordered by the church to travel to the small Erenlander town of Blackweir. There, he soon becomes entangled in an old mystery and begins to uncover not only the forbidden legacy of the town, but the malevolent, prophetic force that grows within him. MIDNIGHT CHRONICLES is the epic narrative that tells the tale of two legendary characters -- one for the cause of good...

A bag full of symbolic folklore about werewolves, or, rather, their sexual connotation. Granny tells her granddaughter Rosaleen strange, disturbing tales about innocent maidens falling in love with handsome, heavily eyebrowed strangers with a smoldering look in their eyes; about sudden disappearances of spouses when the moon is round & the wolves are howling in the woods; about babies found inside stork eggs, in a stork nest high up a tree; etc., etc. Of course the story of Little Red Ridinghood is also present, with a very handsome he-wolf! (And of course this he-wolf consumes Grandmother, but 'consumes' Little Red Ridinghood). All the stories are somehow reducible to loss of innocence, and fear of/hunger for (a newly acquired sense of) sexuality; their Freudian character is mirrored in their dreamlike shapes. This movie is not really a horror movie; it's more a multiple tale about growing up into adolescence.

This is really three shorter movies, bound together by a fourth tale in which the other three stories are read. The first segment features an animated mummy stalking selected student victims; the second tale tells the story of a "cat from hell" who cannot be killed and leaves a trail of victims behind it; the third story is about a man who witnesses a bizarre killing and promises never to tell what he saw and the "in-between" bit is the story of a woman preparing to cook her newspaper boy for supper.

Yuppie Daniel Miller is killed in a car accident and goes to Judgment City, a waiting room for the afterlife. During the day, he must prove in a courtroom-style process that he successfully overcame his fears (a hard task, given the pitiful life we are shown); at night, he falls in love with Julia, the only other young person in town. Nights are a time of hedonistic pleasure, since you can (for instance) eat all you want without getting fat.

Long ago in the Iron Age a shadow loomed over a lonely village. For generations the village youths are stolen from their families and delivered as sacrifice to a mythical beast - the Minotaur, that dwells beneath a great palace. Theo, haunted by the loss of his love in an earlier sacrifice is convinced that the beast isn't real and that his girl still lives as a slave within the palace. His father Cyrnan, the village leader, tries to reason with Theo not to go but Theo is driven by blind rage. He devises a plan and is taken with the other youths who are dragged screaming from their families.

Teenager Darren Shan is an excellent student and the pride and joy of his perfect middle-class family; his best friend is the reckless Steve. When they receive a flyer with an advertisement for a freak show, they sneak to the theater to see the attractions. The ringmaster is a vampire called Larten Crepsley, that has a lethal spider. After the show, Steve tells Darren to go home. However he returns and overhears Steve unsuccessfully trying to convince Larten to transform him into a vampire. Darren steals Larten's spider which bites Steve later and he seeks out Larten asking for an antidote for his friend. Larten proposes a deal to Darren.